The Leper in Blue: Coercive Performance and the Contemporary Latin American TheaterDrawing upon contemporary theoretical debates surrounding performance, gender, and Latin American studies, The Leper in Blue examines representations of performance within dramatic texts. The book treats the work of playwrights such as Vincente Lenero, Sabina Berman, Mariela Romero, Griselda Gambaro, Maruxa Vilalta, and Rosario Castellanos, who depict the freedom of performance within a framework of compulsion. Individual chapters focus on the transformation of historical narratives, ritual game playing, the performance of gender, the staging of torture, and, finally, nonperformance--the representation of coercive performances that are at once demanded and denied. The plays examined not only raise important questions about the nature of performance but also shed light on many of the crucial sociopolitical issues of twentieth-century Latin America, among them economic instability, political repression, state violence, and dictatorship. |
From inside the book
Results 1-3 of 27
Page 68
... official vigilance that framed the world of the prisoners in Bolívar is here clearly voyeurism . The dream - like tone of Juana's erotic , lyric speech to Felipe is destroyed as the two " empiezan a escuchar carcajadas obs- cenas de los ...
... official vigilance that framed the world of the prisoners in Bolívar is here clearly voyeurism . The dream - like tone of Juana's erotic , lyric speech to Felipe is destroyed as the two " empiezan a escuchar carcajadas obs- cenas de los ...
Page 69
... official version Mariana represents even in its presentation . The play of linguistic inadequacy that in Águila o sol marked the invaders , in Falsa cróni- ca contaminates the official history of Juana's madness . The interre- lation of ...
... official version Mariana represents even in its presentation . The play of linguistic inadequacy that in Águila o sol marked the invaders , in Falsa cróni- ca contaminates the official history of Juana's madness . The interre- lation of ...
Page 70
... official spokesperson , foregrounded as narrator and visually connected to the official painter of the historical court recreated on stage , cruelly provoking Juana with her insinuations and jabs , is unable to sustain her role . At one ...
... official spokesperson , foregrounded as narrator and visually connected to the official painter of the historical court recreated on stage , cruelly provoking Juana with her insinuations and jabs , is unable to sustain her role . At one ...
Contents
ACKNOWLEDGMENTS | 9 |
PERFORMANCE TEXTUALITY AND THE NARRATION OF HISTORY | 29 |
PERFORMANCE AND GAMES | 75 |
Copyright | |
5 other sections not shown
Common terms and phrases
action actors already alternative appears argues attempt audience authority becomes body Bolívar calls characters construction context continues cultural danger death demands describes discussed displaced drama effect element evident face fact female feminine figure final forced frame gender happened historical individual insists interpretation Juana juego Latin American Lector less liberating limited male mance means Morelos move mujer mustache narrative never notes observes occurs offers official once paralysis performance physical play political possibility present prisoners produce provides question reading reality reference reflect relation remains repetition representation represented resistance revealed role scene script sexual social space spectacle spectator stage suggests teatro terror theater theatrical tion torture translation turn victim violence visible voice woman women writes