The Leper in Blue: Coercive Performance and the Contemporary Latin American TheaterDrawing upon contemporary theoretical debates surrounding performance, gender, and Latin American studies, The Leper in Blue examines representations of performance within dramatic texts. The book treats the work of playwrights such as Vincente Lenero, Sabina Berman, Mariela Romero, Griselda Gambaro, Maruxa Vilalta, and Rosario Castellanos, who depict the freedom of performance within a framework of compulsion. Individual chapters focus on the transformation of historical narratives, ritual game playing, the performance of gender, the staging of torture, and, finally, nonperformance--the representation of coercive performances that are at once demanded and denied. The plays examined not only raise important questions about the nature of performance but also shed light on many of the crucial sociopolitical issues of twentieth-century Latin America, among them economic instability, political repression, state violence, and dictatorship. |
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Page 19
... space , as Josette Féral contends : " With neither past nor future , performance takes place . It turns the stage into an event from which the subject will emerge transformed until another performance , when it can continue on its way ...
... space , as Josette Féral contends : " With neither past nor future , performance takes place . It turns the stage into an event from which the subject will emerge transformed until another performance , when it can continue on its way ...
Page 150
... space , the cafés and park benches Franco describes as the male pre- serve , without becoming the public women of some of El eterno fe- menino's episodes . Yet while traditionally women are often relegat- ed to private spaces , here such ...
... space , the cafés and park benches Franco describes as the male pre- serve , without becoming the public women of some of El eterno fe- menino's episodes . Yet while traditionally women are often relegat- ed to private spaces , here such ...
Page 160
... spaces is unambiguously benign . The previous chapter addressed the inequalities inherent in the rigid maintenance of arbitrary distinctions such as the gendering of public space as masculine , private space as feminine . Such divisions ...
... spaces is unambiguously benign . The previous chapter addressed the inequalities inherent in the rigid maintenance of arbitrary distinctions such as the gendering of public space as masculine , private space as feminine . Such divisions ...
Contents
ACKNOWLEDGMENTS | 9 |
PERFORMANCE TEXTUALITY AND THE NARRATION OF HISTORY | 29 |
PERFORMANCE AND GAMES | 75 |
Copyright | |
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