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able action advantage ancient appear attempt attention beauty believe cause characters collection common considered continued copies criticism desire diligence discovered easily easy editions editor effect endeavoured English equally excellence exhibit expected expression followed force formed French frequently give given greater happy Henry hope human ideas ignorance imagination importance interest Italy kind king knowledge known labour language learning less letters likewise living manners means mentioned mind nature necessary neglected never notes obscure observed once opinion original particular pass passages passions performed perhaps play pleasing poet Pope practice praise present preserved produced proper reader reason received regard remarkable rest scenes seems sense Shakespeare shew sometimes success suffered sufficient supplied supposed things thought tion trade truth whole writers written
Page 442 - She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle!
Page 417 - Pale Hecate's offerings; and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps which way they walk, for fear Thy very stones prate of my whereabout And take the present horror from the time, Which now suits with it.
Page 411 - This castle hath a pleasant seat ; the air Nimbly and sweetly recommends itself Unto our gentle senses.
Page 67 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveler is hasting to his wine, and the mourner burying his friend...
Page 68 - That this is a practice contrary to the rules of criticism will be readily allowed ; but there is always an appeal open from criticism to nature. The end of writing is to instruct ; the end of poetry is to instruct by pleasing.
Page 46 - In hope of giving longevity to that which its own nature forbids to be immortal, I have devoted this book, the labour of years, to the honour of my country, that we may no longer yield the palm of philology without a contest to the nations of the continent.
Page 79 - Delusion, if delusion be admitted, has no certain limitation. If the spectator can be once persuaded that his old acquaintance are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the reach of reason or of truth, and from the heights of empyrean poetry may despise the circumscriptions of terrestrial nature.
Page 62 - Shakespeare is, above all writers, — at least above all modern writers, — the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 48 - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...