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Page xv
... fall from favor. But Sir Sidney's Shakespeare, a staid Englishman of the mercantile class, isn't to be believed. Joyce in Ulysses was his scholar, however, indebted for hints toward his imaginative portrait of Shakespeare. Joyce is the ...
... fall from favor. But Sir Sidney's Shakespeare, a staid Englishman of the mercantile class, isn't to be believed. Joyce in Ulysses was his scholar, however, indebted for hints toward his imaginative portrait of Shakespeare. Joyce is the ...
Page xviii
... falls in the toils as he is human. Also, however, he lets his passion “colly” or blacken his judgment, and on this side he is a culpable othello. I am positing a conclusion both open ended and appointed, and perhaps that isn't tenable ...
... falls in the toils as he is human. Also, however, he lets his passion “colly” or blacken his judgment, and on this side he is a culpable othello. I am positing a conclusion both open ended and appointed, and perhaps that isn't tenable ...
Page xix
... fall in the “gin” like a woodcock? Will Bassanio, choosing among the three caskets, distinguish the superior virtue of “base lead”? Macbeth's choice is graver. Will he drink the poisoned chalice or thrust it aside? Modern fictions tend ...
... fall in the “gin” like a woodcock? Will Bassanio, choosing among the three caskets, distinguish the superior virtue of “base lead”? Macbeth's choice is graver. Will he drink the poisoned chalice or thrust it aside? Modern fictions tend ...
Page xxii
... falls we see her dragging him off to the altar. This patented romance ending, which might please, leaves Shakespeare uneasy, looking shrewdly at a heroine who thinks our remedies lie in ourselves. on the one hand her ideology supposes a ...
... falls we see her dragging him off to the altar. This patented romance ending, which might please, leaves Shakespeare uneasy, looking shrewdly at a heroine who thinks our remedies lie in ourselves. on the one hand her ideology supposes a ...
Page xxiii
... Fall, but Shakespeare forbears ex- planations. In practice, however, the inability of his characters to follow reason's lead--they are “purblind” or “sandblind” like old Gobbo in the play--reins in free choice, even denies it. To ...
... Fall, but Shakespeare forbears ex- planations. In practice, however, the inability of his characters to follow reason's lead--they are “purblind” or “sandblind” like old Gobbo in the play--reins in free choice, even denies it. To ...
Contents
1 | |
25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
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Common terms and phrases
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young