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Page x
That tragedy is averted is a piece of good luck, but that isn't why we are happy. The play makes us happy because it finds serious matter in a forgettable occasion and turns it to permanent use. on other events of the period, ...
That tragedy is averted is a piece of good luck, but that isn't why we are happy. The play makes us happy because it finds serious matter in a forgettable occasion and turns it to permanent use. on other events of the period, ...
Page xv
But Sir Sidney's Shakespeare, a staid Englishman of the mercantile class, isn't to be believed. Joyce in Ulysses was his scholar, however, indebted for hints toward his imaginative portrait of Shakespeare. Joyce is the better biographer ...
But Sir Sidney's Shakespeare, a staid Englishman of the mercantile class, isn't to be believed. Joyce in Ulysses was his scholar, however, indebted for hints toward his imaginative portrait of Shakespeare. Joyce is the better biographer ...
Page xviii
His fate isn't contrived nor inspired by heavenly malice. He falls in the toils as he is human. Also, however, he lets his passion “colly” or blacken his judgment, and on this side he is a culpable othello. I am positing a conclusion ...
His fate isn't contrived nor inspired by heavenly malice. He falls in the toils as he is human. Also, however, he lets his passion “colly” or blacken his judgment, and on this side he is a culpable othello. I am positing a conclusion ...
Page xx
Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth suggests what this is when he resolves to keep his “bosom franchised.” Shakespeare's language, as often, needs a comment.
Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth suggests what this is when he resolves to keep his “bosom franchised.” Shakespeare's language, as often, needs a comment.
Page xxi
Shakespeare isn't one of them. I waS a youngster when I began teaching Shakespeare's plays, and my strongly asserted moral sense of him went with my youth and appealed to my students. They liked it that I put firm footing beneath them.
Shakespeare isn't one of them. I waS a youngster when I began teaching Shakespeare's plays, and my strongly asserted moral sense of him went with my youth and appealed to my students. They liked it that I put firm footing beneath them.
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Contents
1 | |
25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
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Common terms and phrases
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young