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Page iv
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the ...
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the ...
Page x
But energizing doesn't mean troubled. Whatever the subject, Shakespeare's art is happy. Its burden may be grief and vexation, but “the unseen good old man” behind the arras converts it to profit. Living much in the world, ...
But energizing doesn't mean troubled. Whatever the subject, Shakespeare's art is happy. Its burden may be grief and vexation, but “the unseen good old man” behind the arras converts it to profit. Living much in the world, ...
Page xi
Inert in themselves, the facts are like a newspaper obit. Sometimes they quicken, though, hinting at the man in his habit (or habits). In setting forth the facts, I attempt to construe them, saying what they mean ...
Inert in themselves, the facts are like a newspaper obit. Sometimes they quicken, though, hinting at the man in his habit (or habits). In setting forth the facts, I attempt to construe them, saying what they mean ...
Page xvii
Sensibility means the quality of his feeling as expressed in the very language he uses, including metrical language; psychology means his reading of man. For estimating his art, these two are the principal indices of value.
Sensibility means the quality of his feeling as expressed in the very language he uses, including metrical language; psychology means his reading of man. For estimating his art, these two are the principal indices of value.
Page xxiii
He thinks “There's place and means for every man alive” (4.3). Shakespeare's psychology meets St. Thomas's in one particular, that his characters, all of them, have “the wisdom by their wit to lose” (Merchant of Venice 2.9).
He thinks “There's place and means for every man alive” (4.3). Shakespeare's psychology meets St. Thomas's in one particular, that his characters, all of them, have “the wisdom by their wit to lose” (Merchant of Venice 2.9).
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Contents
1 | |
25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
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Common terms and phrases
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young