Shakespeare |
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Page xv
(the) Mind and Art (1875), without realizing that dowden's eccentrically spelled “Shakspere” is an airborne spore uncontaminated by the stage or the life of the time. But his big idea, to inquire into the writer's personality and ...
(the) Mind and Art (1875), without realizing that dowden's eccentrically spelled “Shakspere” is an airborne spore uncontaminated by the stage or the life of the time. But his big idea, to inquire into the writer's personality and ...
Page xix
Failing the perception of responsibility, the audience wearies of the play of stick figures, or it complains of morbidity as when helpless children are preyed on by adults. never mind the exceptions, no children in Shakespeare, ...
Failing the perception of responsibility, the audience wearies of the play of stick figures, or it complains of morbidity as when helpless children are preyed on by adults. never mind the exceptions, no children in Shakespeare, ...
Page xxii
... ideology supposes a greater power than we can contradict (“the fated sky”), on the other, throwing out its chest, if ideologies can do that, it sends this power packing. never mind what the plot tells us: it tells us we are free.
... ideology supposes a greater power than we can contradict (“the fated sky”), on the other, throwing out its chest, if ideologies can do that, it sends this power packing. never mind what the plot tells us: it tells us we are free.
Page xxiii
He lacks the philosophic mind, and where evil comes from leaves him at a stand. St. Thomas, giving a cue to many, says the will never moves except under the shadow of good. This doesn't work for Shakespeare.
He lacks the philosophic mind, and where evil comes from leaves him at a stand. St. Thomas, giving a cue to many, says the will never moves except under the shadow of good. This doesn't work for Shakespeare.
Page 8
However, as we learn from Macbeth, "There's no art to find the mind's construction in the face," and probably both were villains. Thinking that nothing succeeded like success, Shakespeare gave the victor his due.
However, as we learn from Macbeth, "There's no art to find the mind's construction in the face," and probably both were villains. Thinking that nothing succeeded like success, Shakespeare gave the victor his due.
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Contents
| 1 | |
| 25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
Other editions - View all
Common terms and phrases
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young
Bibliographic information
| Title | Shakespeare |
| Author | Russell A. Fraser |
| Publisher | Transaction Publishers |
| ISBN | 1412834031, 9781412834032 |
| Export Citation | BiBTeX EndNote RefMan |