Shakespeare |
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Page xvii
But they will never close with him unless they go to school to Schoenbaum and his sedulous marshalling of facts. Sedulous in its root sense is guileless, without prepossession. All facts aren't created equal, however, ...
But they will never close with him unless they go to school to Schoenbaum and his sedulous marshalling of facts. Sedulous in its root sense is guileless, without prepossession. All facts aren't created equal, however, ...
Page xviii
I hate or I love but never “odi et amo,” both together. In Shakespeare's inclusive art these opposites coexist, preserving their integrity as in an emulsion. The greatest of the Henry plays shows its hero, Prince Hal, solicited by ...
I hate or I love but never “odi et amo,” both together. In Shakespeare's inclusive art these opposites coexist, preserving their integrity as in an emulsion. The greatest of the Henry plays shows its hero, Prince Hal, solicited by ...
Page xix
Failing the perception of responsibility, the audience wearies of the play of stick figures, or it complains of morbidity as when helpless children are preyed on by adults. never mind the exceptions, no children in Shakespeare, ...
Failing the perception of responsibility, the audience wearies of the play of stick figures, or it complains of morbidity as when helpless children are preyed on by adults. never mind the exceptions, no children in Shakespeare, ...
Page xx
I don't say moralizing, never that. Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth suggests what this is when he resolves to keep his “bosom franchised.” Shakespeare's language ...
I don't say moralizing, never that. Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth suggests what this is when he resolves to keep his “bosom franchised.” Shakespeare's language ...
Page xxiii
St. Thomas, giving a cue to many, says the will never moves except under the shadow of good. This doesn't work for Shakespeare. Believing in prodigies beyond the ken of behavioral science, he makes room in his repertory for characters ...
St. Thomas, giving a cue to many, says the will never moves except under the shadow of good. This doesn't work for Shakespeare. Believing in prodigies beyond the ken of behavioral science, he makes room in his repertory for characters ...
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Contents
| 1 | |
| 25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
Other editions - View all
Common terms and phrases
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young
Bibliographic information
| Title | Shakespeare |
| Author | Russell A. Fraser |
| Publisher | Transaction Publishers |
| ISBN | 1412834031, 9781412834032 |
| Export Citation | BiBTeX EndNote RefMan |