II 1. The brown-stone house; the father coming home worried from a bad day's business; the wife meets him in the marble pav'd vestibule; she throws her arms about him; she presses him close to her; she looks him full in the face with affectionate eyes; the frown from his brow disappearing. Darling, she says, Johnny has fallen down and cut hist head; the cook is going away, and the boiler leaks. 2. The mechanic's dark little third-story room, seen in a flash from the Elevated Railway train; the sewingmachine in a corner; the small cook-stove; the whole family eating cabbage around a kerosene lamp; of the clatter and roar and groaning wail of the Elevated train unconscious; of the smell of the cabbage unconscious. Me, passant, in the train, of the cabbage not quite so unconscious. 3. The French Flat; the small rooms, all right-angles, unindividual; the narrow halls; the gaudy, cheap decorations everywhere. The janitor and the cook exchanging compliments up and down the elevator-shaft; the refusal to send up more coal, the solid splash of the water upon his head, the language he sends up the shaft, the triumphant laughter of the cook, to her kitchen retiring. 4. The widow's small house in the suburbs of the city; the widow's boy coming home from his first day down town; he is flushed with happiness and pride; he is no longer a school-boy, he is earning money; he takes on the airs of a man and talks learnedly of business. 5. The room in the third-class boarding-house; the mean little hard-coal fire, the slovenly Irish servant-girl making it, the ashes on the hearth, the faded furniture, the private provender hid away in the closet, the dreary backyard out the window; the young girl at the glass, with her mouth full of hairpins, doing up her hair to go downstairs and flirt with the young fellows in the parlor. Home Sweet Home with Variations 505 6. The kitchen of the old farm-house; the young convict just returned from prison-it was his first offense, and the judges were lenient on him. He is taking his first meal out of prison; he has been received back, kiss'd, encourag'd to start again; his lungs, his nostrils expand with the big breaths of free air; with shame, with wonderment, with a trembling joy, his heart too, expanding. The old mother busies herself about the table; she has ready for him the dishes he us'd to like; the father sits with his back to them, reading the newspaper, the newspaper shaking and rustling much; the children hang wondering around the prodigal-they have been caution'd: Do not ask where our Jim has been; only say you are glad to see him. The elder daughter is there, palefac'd, quiet; her young man went back on her four years ago; his folks would not let him marry a convict's sister. She sits by the window, sewing on the children's clothes, the clothes not only patching up; her hunger for children of her own invisibly patching up. The brother looks up; he catches her eye, he fearful, apolo getic; she smiles back at him, not reproachfully smiling, with loving pretence of hope smiling-it is too much for him; he buries his face in the folds of the mother's black gown. 7. The best room of the house, on the Sabbath only open'd; the smell of horse-hair furniture and mahogany varnish; the ornaments on the what-not in the corner; the wax fruit, dusty, sunken, sagged in, consumptivelooking, under a glass globe, the sealing-wax imitation of coral; the cigar boxes with shells plastered over, the perforated card-board motto. The kitchen; the housewife sprinkling the clothes for the fine ironing to-morrow-it is the Third-day night, and the plain things are ready iron'd, now in cupboards, in drawers stowed away. The wife waiting for the husband-he is at the tavern, jovial, carousing; she, alone in the kitchen sprinkling clothes -the little red wood clock with peaked top, with pen dulum wagging behind a pane of gayly painted glass, strikes twelve. The sound of the husband's voice on the still night air-he is singing: "We won't go home until morning!"-the wife arising, toward the wood-shed hastily going, stealthily entering, the voice all the time coming nearer, inebriate, chantant. The husband passing the door of the wood-shed; the club over his head, now with his head in contact; the sudden cessation of the song; the benediction of peace over the domestic foyer temporarily resting. I sing the soothing influences of home. You, young man, thoughtlessly wandering, with courier, with guide-book wandering, You hearken to the melody of my steam-calliope Yawp! H. C. Bunner. AN OLD SONG BY NEW SINGERS IN THE ORIGINAL MARY had a little lamb, Its fleece was white as snow,— (As Austin Dobson writes it.) TRIOLET A little lamb had Mary, sweet, With a fleece that shamed the driven snow. (For a little lamb had Mary, sweet), And it tagged her 'round with a pensive bleat, A little lamb had Mary, sweet, With a fleece that shamed the driven snow. An Old Song by New Singers (As Mr. Browning has it.) You knew her?-Mary the small, How of a summer,-or, no, was it fall? Its wool was subtly, silky white, Color of lucent obliteration of night, Like the shimmering snow or—our Clothild's arm! The other she scalded a-washing, I ween— How white it is and soft and warm? 507 Ah, there was soul's heart-love, deep, true, and tender, That lamb was sure to soon be caught in. (As Longfellow might have done it.) Fair the daughter known as Mary, (How Andrew Lang sings it.) RONDEAU A wonderful lass was Marie, petite, And mud upon his dainty feet And a gentle veally odour of meat, And a fleece to finger and kiss and press-- Wherever she wandered, in lane or street, (Mr. Algernon C. Swinburne's idea.) VILLANELLE Dewy-eyed with shimmering hair, And its lovely fleece was beyond compare, Its warpéd wool was an inwove snare, To tangle her fingers in, where they could be (For her pet was white as she was fair). Lost from sight, both so snow-white were, Th' impassioned incarnation of rare, Of limpid-eyed, luscious-lipped, loved beauty, And her pet was white as she was fair. Wherever she wandered, hither and there, A. C. Wilkie. |