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And all the strength of Freedom's toil,
And all the fruits of Freedom's soil,
And all her hopes and all her trust,

From: Slavery's gates were flung, like dust.

With servile souls this mill we fed,
That ground the grain for Slavery's bread:
With cringing men, and groveling deeds,
We dwarfed our land to Slavery's needs;
Till all the scornful nations hissed,
To see us ground with Slavery's grist.

The mill grinds on! From Slavery's plain
We reap great crops of blood-red grain;
And still the Negro's st ength we urge,
With Slavery's gyve and Slavery's scourge;
And still we crave-on Freedom's sod-
That Slaves shall turn the mills of God!

The mill grinds on! God lets it grind!
We sow the seed-the sheaves we bind:
The millstones whirl as we ordain;
Our children's bread shall test the grain!
While Samson still in chains we bind,
The mill grinds on! God lets it grind!

DUGANNE.

THE BLIND PREACHER.

[The following extract is from Wirt's "British Spy." Rousseau, mentioned in the last paragraph was a celebrated Swiss philosopher. The reader will find this one of the most pathetic and beautiful pieces of a descriptive character in our language. It should be read colloquially, and in an animated manner.]

One Sunday, as I traveled through the County of Orange, my eye was caught by a cluster of horses, tied near a ruinous, old, wooden house in the forest, not far from the road-side. Having fre quently seen such objects before, in traveling through these States, I had no difficulty in understanding that this was a place of religious worship. Devotion, alone, should have stopped me to join in the

duties of the congregation; but 1 must confess, that curiosity to hear the preacher of such a wilderness, was not the least of my motives.

On entering the house, I was struck with his preternatural appearance. He was a tall and very spare old man,-his head, which was covered with a white linen cap, his shrivelled hands, and his voice, were all shaken under the influence of a palsy, and a few moments convinced me that he was blind. The first emotions which touched my breast, were those of mingled pity and veneration. But ah! how soon were all my feelings changed!

It was a day of the administration of the sacrament, and his subject, of course, was the passion of our Saviour. I had heard the subject handled a thousand times; I had thought it exhausted long ago. Little did I suppose, that in the wild woods of America, I was to meet with a man whose eloquence would give to this topic a new and nore sublime pathos than I had ever before witnessed.

As he descended from the pulpit, to distribute the mystic symbols, there was a peculiar, a more than human solemnity in his air and manner, which made my blood run cold, and my whole frame to shiver. He then drew a picture of the sufferings of our Saviour-his trial before Pilate-his ascent up Calvary-his crucifixion--and his death.

I knew the whole history; but never, until then, had I heard the circumstances so selected, so arranged, so colored! It was all new; and I seemed to have heard it for the first time in my life. His enunciation was so deliberate, that his voice trembled on every syl. lable; and every heart in the assembly trembled in unison.

His peculiar phrases had that force of description, that the original scene appeared to be, at that moment, acting before our eyes. We saw the very faces of the Jews-the staring, frightful distortions of malice and rage. We saw the buffet,-my soul kindled with a flame of indignation, and my hands were involuntarily and convulsively clenched.

But when he came to touch the patience, the forgiving meekness of our Saviour-when he drew to the life, his blessed eyes streaming in tears to heaven-his voice breathing to God a soft and gentle prayer of pardon on his enemies: - "Father, forgive them, for they know not what they do,"-the voice of the preacher, which had all along faltered, grew fainter and fainter, until, his utterance being entirely obstructed by the force of his feelings, he raised his handkerchief to his eyes, and burst into a loud and irrepressible flood of grief.

The effect was inconceivable. The whole house resounded with the mingled groans, sobs, and shrieks of the congregation.

It was some time before the tumult subsided so far as to permit him to proceed. Indeed, judging by the usual, but fallacious standard of my own weakness, I began to be very uneasy for the situation of the preacher.

For I could not conceive how he would be able to let his audier ve down from the height to which he had wound them, without impaiing the solemnity and dignity of his subject, or, perhaps, shocking them by the abruptness of the fall. But the descent was as beautifu and sublime, as the elevation had been rapid and enthusiastic. The first sentence with which he broke the awful silence, was a quotation from Rousseau: "Socrates died like a philosopher, but Jesus Christ like a God!!" Never before did I completely understand what Demosthenes meant by laying such stress on delivery.

WILLIAM WIRT.

THE THREE BELLS.

[This poem refers to the well known rescue of the crew of an American vessel sinking in mid-ocean, by Captain Leighton, of the English ship, Three Bells. Unable to take them off in the night and the storm, he stayed by them until morning, shouting to them from time to time, through his trumpet, "Never fear, hold on; I'll stand by you."]

Beneath the low-hung night cloud
That raked her spiintering mast,

The good ship settled slowly,

The cruel leak gained fast.

Over the awful ocean

Her signal guns pealed out;
Dear God! was that Thy answer,
From the horror round about?

A voice came down the wild wind,--
"Ho! Ship ahoy!" its cry,
"Our stout Three Bells of Glasgow,
Shall stand till daylight by!"

Hour after hour crept slowly,
Yet on the heaving swells
Tossed up and down the ship-lights,—
The lights of the Three Bells.

And ship to ship made signals;
Man answered back to man;
While oft, to cheer and hearten,
The Three Bells nearer ran.

And the Captain, from her taffrail
Sent down his hopeful cry;

"Take heart! hold on!" he shouted.
"The Three Bells shall stand by!"

All night across the waters

The tossing lights shone clear; All night, from reeling taffrail, The Three Bells sent her cheer.

And when the dreary watches

Of storm and darkness passed, Just as the wreck lurched under, All souls were saved at last.

Sail on, Three Bells, forever,
In grateful memory sail!
Ring on, Three Bells of rescue,
Above the wave and gale!

Type of the love Eternal,
Repeat the Master's cry,

As tossing through our darkness
The lights of God draw nigh!

JOHN G. WHITTIER.

THE SONG OF THE BROOK.

I come from haunts of coot and hern:

I make a sudden sally,

And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorps, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

With many a curve my banks I fret
By many a field and fallow,

And many a fairy foreland set

With willow-weed and mallow.

I chatter, chatter, as I flow

To join the brimming river;

For men may come and men may go,
But I go on forever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling.

And here and there a foamy flake
Upon me, as I travel,

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