him so. Spa. There he rubb’d your forehead 'Twas a tough blow. Sec. It smarts. Mor. Pox on him! let him Put's fingers into any gums of mine, He shall find I have teeth about me, sound ones. Sec. You are a scurvy fellow, and I am made a cokes, an ass; and this same filthy crone's a flirt. Whoop, do me no harm, good—woman.? [Exit. Spa. Now, now he's in! I must not leave [Exit. Troy. Morosa, what means this? Mor. I know not, I; He pinch'd me, call’d me names, most filthy names. Will you part hence, sir ? [To Rom.] I will set ye packing [Exit. Clar. You were indeed too broad, too violent. Flo. Here's nothing meant but mirth. Sil. The gentleman Clar. Somewhat bitter Cast. For which I promise him, He ne'er proves choice of mine. Rom. Not I your choice? ? Whoop, do me no harm, good man! is the burden of an old song; it is quoted by the clown in Winter's Tale, and is mentioned in several other places. Ritson says, that the tune of the old ballad is still preserved in a collection of " Ayres for the Lute and Basse Violl, by W. Caroline, 1610." Troy. So she protested, signor. Re-enter MOROSA. Mor. Hence! there enters Rom, Beauties, Troy. Time prevents us, Love and sweet thoughts accompany this presence. [Exeunt Troy. and Rom. Enter Octavio, Secco, and Livio. Oct. (To Secco.) Enough! slip off, and on your life be secret. [Exit Sec. A lovely day, young creatures ! to you, Floria, To you, Clarella, Silvia, to all, service! But who is this fair stranger ? Liv. Castamela, My sister, noble lord. Oct. Let ignorance Cast. I find them [Aside. Oct. Here are no public sights nor courtly visitWhich youth and active blood might stray in ants, thought for; Liv. Sir, I dare answer Cast. Well play'd, brother! [Music within. Mor. Please your lordship, Oct. I dare not be the author Mor. Walk on, dear ladies. or [Exit, followed by Liv. Flo. Clar. and Sil. Oct. (Detaining Cast.). With pardon, You are not of the number, I presume, yet, 8 My sister's resolution.] i. e. her settled, her confirmed opinion. Surquedry, which occurs in the next line, is used by our old writers for excess of pride, presumption, &c.; from sur and cuider, Fr. over-conceit. To be enjoin'd to hours. If you please, Cast. I am, sir, in a place to be commanded, As now the present urgeth. Oct. No compulsion, That were too hard a word; where you are sove reign, Cast. For what, sir? Cast. To whom? I am not Oct. Neither I intend so; Cast. Of what nature ? Cast. Oh, my lord, Oct. Love, dear maid, That bounty can withhold : this académy Cast. You have, belike, then, Oct. To be pleasant Cast. No worse you dare not to imagine, hath too, ment Oct. The proffer of a noble courtesy Cast. A courtesy ?-a bondage: |