The Works of William Shakespeare: King Richard III ; King John ; Merchant of Venice ; King Henry IV, part 1 ; King Henry IV, part 2Blackie, 1888 |
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... called Shakespeare's Second Period . In King John we find a great advance in characterization ; in the Merchant of Venice we have the first of Shakespeare's best comedies ; and in the two parts of Henry IV . Shakespeare reaches the ...
... called Shakespeare's Second Period . In King John we find a great advance in characterization ; in the Merchant of Venice we have the first of Shakespeare's best comedies ; and in the two parts of Henry IV . Shakespeare reaches the ...
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... called True Tragedy of Richard III . , published in 1594 , was acted by " the Queenes Maiesties Players ; " and it is generally supposed that this was an old play which was published on account of the then popularity of Shake- speare's ...
... called True Tragedy of Richard III . , published in 1594 , was acted by " the Queenes Maiesties Players ; " and it is generally supposed that this was an old play which was published on account of the then popularity of Shake- speare's ...
Page 9
... called Churchyard's Challenge , and is the same poem that appeared in the original edition of The Mirror for Magistrates , augmented by twenty - one stanzas . By a curi- 1 The numbers attached to the various pieces are taken from the ...
... called Churchyard's Challenge , and is the same poem that appeared in the original edition of The Mirror for Magistrates , augmented by twenty - one stanzas . By a curi- 1 The numbers attached to the various pieces are taken from the ...
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... called the Life and Death of | King RICHARD THE THIRD . Containing the distresses of K. Henry VI . The artful acquisition of the Crown by King Richard , | The Murder of Young King Edward V , and his Brother in the Tower , The landing of ...
... called the Life and Death of | King RICHARD THE THIRD . Containing the distresses of K. Henry VI . The artful acquisition of the Crown by King Richard , | The Murder of Young King Edward V , and his Brother in the Tower , The landing of ...
Page 84
... called " the Dolphinesse of Fraunce " ( see above ) . She never married the dauphin ; but , after having had a narrow escape of being the wife of Richard III . , she became the queen of Henry VII . The second daughter , Mary , was born ...
... called " the Dolphinesse of Fraunce " ( see above ) . She never married the dauphin ; but , after having had a narrow escape of being the wife of Richard III . , she became the queen of Henry VII . The second daughter , Mary , was born ...
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Common terms and phrases
Antonio Arthur Bass Bassanio Bast Bastard blood brother Buck Buckingham Catesby character Clarence Compare crown daughter death Dorset dost doth doubt ducats Duch Duke Dyce Earl Edward Eliz emendation England Enter Exeunt Exit eyes fair Falstaff father Faulconbridge fear France friends give Gloster grace hand hath hear heart heaven Henry Henry IV Henry VI Holinshed honour Hubert Julius Cæsar King John King Richard lady Laun Launcelot Line Line 60 look lord Lord Hastings Love's Labour's Lost married means Merchant of Venice mother Murd never night noble old play omitted Pandulph passage peace Pope Portia Prince printed Quarto queen quotes Ratcliff reading of Qq Rich Richard II Richmond scene seems sense Shakespeare Shylock soul speak speech Stanley Steevens swear sweet tell thee thou art Venice verb wife word young
Popular passages
Page 274 - If a Jew wrong a Christian, what is his humility ? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example ? Why, revenge. The villany you teach me I will execute, and it shall go hard but I will better the instruction.
Page 256 - If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes' palaces. It is a good divine that follows his own instructions : I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Page 259 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Page 206 - This England never did (nor never shall) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, if England to itself do rest but true.
Page 185 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form: Then have I reason to be fond of grief.
Page 378 - Tis not due yet; I would be loath to pay him before his day. What need I be so forward with him that calls not on me? Well, 'tis no matter; Honour pricks me on. Yea, but how if honour prick me off when I come on, how then ? Can honour set to a leg ? No. Or an arm ? No. Or take away the grief of a wound? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour ? What is that honour ? Air. A trim reckoning ! — Who hath it ? He that died o
Page 380 - O gentlemen, the time of life is short; To spend that shortness basely, were too long, If life did ride upon a dial's point, Still ending at the arrival of an hour.
Page 255 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Page 95 - Our bruised arms hung up for monuments ; Our stern alarums chang'd to merry meetings, Our dreadful marches to delightful measures. Grim-visag'd war hath smooth'd his wrinkled front ; And now — instead of mounting barbed steeds To fright the souls of fearful adversaries — He capers nimbly in a lady's chamber To the lascivious pleasing of a lute.