English miscellany: a symposium of history, literature and the arts, Volume 3British Council, 1952 - Art A symposium of history, literature and the arts. |
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Page 43
... forms , his view of man became coarser after his visit to Italy . He indulges in the drawing of boorish faces and manners , knock - kneed legs like those of Urs Graf , full forms , impossible proportions , and faulty perspectives 4. The ...
... forms , his view of man became coarser after his visit to Italy . He indulges in the drawing of boorish faces and manners , knock - kneed legs like those of Urs Graf , full forms , impossible proportions , and faulty perspectives 4. The ...
Page 44
... form . To return to More and the Four Last Things , it is not without significance that at the end of a most repulsive descrip- tion of the physical effects of gluttony he finishes with a simile drawn from < « < the great moral ...
... form . To return to More and the Four Last Things , it is not without significance that at the end of a most repulsive descrip- tion of the physical effects of gluttony he finishes with a simile drawn from < « < the great moral ...
Page 45
... form and control , acquired in the mastery of the Classics , though in later years sometimes forgotten in the heat ... form ; it did not change them . Persius remains their model as in the Middle Ages , not Horace as during the ...
... form and control , acquired in the mastery of the Classics , though in later years sometimes forgotten in the heat ... form ; it did not change them . Persius remains their model as in the Middle Ages , not Horace as during the ...
Contents
Giacomo Devoto Anglosassone o Inglese antico pag | 1 |
H W Donner St Thomas Mores Treatise on the Four | 25 |
Jorgen Andersen Giant Dreams | 49 |
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