cow, for she heard Mrs. Twiddler say yesterday that the cow was sick. For four weeks I could get nothing out of that horn but blood-curdling groans; and, meantime, the people over the way moved to another house because our neighborhood was haunted, and three of our hired girls resigned successively for the same reason. Finally, a man whom I consulted told me that "No One to Love" was an easy tune for beginners; and I made an effort to learn it. After three weeks of arduous practice, during which Mrs. A. several times suggested that it was brutal that Twiddler didn't kill that suffering cow and put it out of its misery, I conquered the first three notes; but there I stuck. I could play “No One to and that was all. I performed "No One to sand times; and as it seemed unlikely that I would ever learn the whole tune, I determined to try the effect of part of it on Mrs. A. About ten o'clock one night I crept over eight thou out to the front of the house and struck up. First, "No One to -" about fifteen or twenty times, then a few of those groans, then more of the tune, and so forth. Then Butterwick set his dog on me, and I suddenly went into the house. Mrs. A. had the children in the back room and she was standing behind the door with my revolver in her hand. When I entered, she exclaimed, "Oh, I'm so glad you've come home! Somebody's been murdering a man in our yard. He uttered the most awful shrieks and cries I ever heard. I was dreadfully afraid the murderers would come into the house. It's perfectly fearful, isn't it?" Then I took the revolver away from her-it was not loaded, and she had no idea that it would have to be cocked-and went to bed without mentioning the horn. I thought perhaps it would be better not to. I sold it the next day; and now if I want music I shall buy a good hand-organ. I know I can play on that. LIGHT-WILLIAM PITT PALMER. From the quickened womb of the primal gloom Till I wove him a vest for his Ethiop breast And when the broad tent of the firmament I penciled the hue of its matchless blue, I painted the flowers of the Eden bowers, And mine were the dyes in the sinless eyes And when the fiend's art on her trustful heart In the silvery sphere of the first-born tear To the trembling earth I fell. When the waves that burst o'er a world accursed Their work of wrath had sped, And the ark's lone few, the tried and true, Came forth among the dead; With the wondrous gleams of my braided beams, I bade their terrors cease, As I wrote, on the roll of the storm's dark scroll, Like a pall at rest on a senseless breast, Night's funeral shadow slept, Where shepherd swains on the Bethlehem plains When I flashed on their sight the heralds bright As they chanted the morn of a Saviour born- Equal favor I show to the lofty and low, On the just and unjust I descend; E'en the blind, whose vain spheres roll in darkness and tears, Feel my smile, the blest smile of a friend. Nay, the flower of the waste by my love is embraced, As the rose in the garden of kings; At the chrysalis bier of the worm I appear, The desolate morn, like a mourner forlorn, Till I bid the bright hours chase the night from her bowers And when the gay rover seeks Eve for his lover, I wrap their soft rest by the zephyr-fanned west, From my sentinel steep, by the night-brooded deep, When the eynosure star of the mariner Is blotted from out of the sky; And guided by me through the merciless sea, I waken the flowers in their dew-spangled bowers, And mountain and plain glow with beauty again Oh, if such the glad worth of my presence to earth, What glories must rest on the home of the blest, DIRGE.-CHARLES G. EASTMAN. Softly! She is lying Whisper! She is going Gently! She is sleeping; THE SNOW OF AGE. No snow falls lighter than the snow of age; but none is heavier, for it never melts. The figure is by no means novel, but the closing part of the sentence is new as well as emphatic. The Scriptures represent age by the almond-tree, which bears blossoms of the purest white. "The almond-tree shall flourish"-the head shall be hoary. Dickens says of one of his characters whose hair was turning gray, that it looked as if Time had lightly sprinkled his snows upon it in passing. "It never melts"-no never. Age is inexorable. Its wheels must move onward-they know no retrograde movement. The old man may sit and sing, "I would I were a boy again"-but he grows older as he sings. He may read of the elixir of youth, but he cannot find it; he may sigh for the secrets of that alchemy which is able to make him young again, but sighing brings it not. may gaze backward with an eye of longing upon the rosy scenes of early years, as one who gazes on his home from the deck of a departing ship which every moment carries him farther and farther away. Poor old man! he has little more to do than die. 66 He 'It never melts." The snow of winter comes and sheds its white blessings upon the valley and the mountains, but soon the sweet spring comes and smiles it all away. Not so with that upon the brow of the tottering veteran. There is no spring whose warmth can penetrate its eternal frost. It came to stay. Its single flakes fell unnoticed-and now it is drilled there. We shall see it increase until we lay the old man in his grave. There it shall be absorbed by the eternal darkness-for there is no age in heaven. Yet why speak of age in a mournful strain? It is beautiful, honorable, eloquent. Should we sigh at the proximity of death, when life and the world are so full of emptiness? Let the old exult because they are old. If any must weep, let it be the young, at the long succes sion of cares that are before them. Welcome the snow, for it is the emblem of peace and of rest. It is but a temporal crown which shall fall at the gates of paradise, to be replaced by a brighter and a better. THE PERVERSE HEN. Once with an honest Dutchman walking, |