The Verbal Icon: Studies in the Meaning of Poetry

abstract aesthetic aesthetician agnomination antithesis appear argument Aristotelian Aristotle beauty believe called century character Chicago critics classical cognitive Coleridge complex concept concrete concrete universal connotation context counterlogical couplet Crane Curt Ducasse denotation discourse distinction doctrine effect Elegant Variation Eliot emotion English essay example explication expression fact fallacy figures Foss hence holism human I. A. Richards iconic ideas imagination instance intention J. S. Mill kind language less lines literary criticism literature logical meaning metaphor metaphysical mind modern critics moral morphemes nature neoclassic objects parallel perhaps philosophy Plato poet poetic poetry Pope Pope's predications principle Professor prose psychological Puttenham reader recent refer relation rhetoric Richards romantic romantic poetry sense Shakespeare sonnet specific speech statement structure suggest syllepsis symbolic T. S. Eliot theorist things thought tion truth unity variation verbal style verse whole writing Yvor Winters zeugma