Music of the SirensLinda Austern, Inna Naroditskaya Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography. |
From inside the book
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... becomes a siren, becomes sexually available, as discussed in contrasting ways by several of the essays in this collection; sometimes the body is imagined or imaginary, but the music [∂] inna naroditskaya and linda phyllis austern.
... becomes a siren, becomes sexually available, as discussed in contrasting ways by several of the essays in this collection; sometimes the body is imagined or imaginary, but the music [∂] inna naroditskaya and linda phyllis austern.
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... sexual satisfaction without demanding his life in return. Does he die because sexual fulfillment would leave him no dreams, or because he realizes that his desire will never be fulfilled? ''Su≈ce it to say that in those [siren] ...
... sexual satisfaction without demanding his life in return. Does he die because sexual fulfillment would leave him no dreams, or because he realizes that his desire will never be fulfilled? ''Su≈ce it to say that in those [siren] ...
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... sexual game. Austern further suggests that the siren brings together the child's primal desire to return to the womb and the man's drive toward sexual climax, unifying the incomprehensible vocalise of the lullaby and (female) orgasmic ...
... sexual game. Austern further suggests that the siren brings together the child's primal desire to return to the womb and the man's drive toward sexual climax, unifying the incomprehensible vocalise of the lullaby and (female) orgasmic ...
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... Sexual Politics and Popular Culture in Modern Japan (Berkeley: University of California Press, 1998). 19. The citation is credited by Victoria Woodhull Martin to William Cullen Bryant in The New York Evening Post, January 9, 1873. 20 ...
... Sexual Politics and Popular Culture in Modern Japan (Berkeley: University of California Press, 1998). 19. The citation is credited by Victoria Woodhull Martin to William Cullen Bryant in The New York Evening Post, January 9, 1873. 20 ...
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... sexual attraction, and ultimately positions the aesthetic and the erotic in the swirling spaces between nature and culture. ''Flood of warm jimjam likitup secretness flowed to flow in music out, in desire, dark to lick flow, invading ...
... sexual attraction, and ultimately positions the aesthetic and the erotic in the swirling spaces between nature and culture. ''Flood of warm jimjam likitup secretness flowed to flow in music out, in desire, dark to lick flow, invading ...
Contents
Siren Traditions and Musical Creation in the CentralSouthern Andes | |
Heavenly and Earthly Sirens in Sixteenth and SeventeenthCentury Literary and Visual Culture | |
5 The Sirens the Epicurean Boat and the Poetry of Praise | |
Of Music Modernity and the Sirens | |
Water Power and Women | |
Loreley and Other Rhine Maidens | |
Music for Mami Wata and Other Water Spirits in Africa | |
Pop Sirens at the Twentyfirst Century | |
12 The Cocktail Siren in David Lynchs Blue Velvet | |
Bibliography | |
List of Contributors | |
Index | |
Back Cover | |
The Legend of a Greek Singer in a Turkish Tavern | |
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Common terms and phrases
African album Andean artists associated beautiful Benin City Blue Velvet body Cambridge Carey century Charango Christian classical context corporate siren creatures culture dance Dargomyzhsky’s David Lynch death di√erent diegetic Dorothy Dorothy’s e√ect early modern ears emblem emblem books embodied enchantment English European fantasy female feminine femme fatale fig figure film final finds first fish flowing flute gender Greek Hanım hear heroine Homer instruments Je√rey Kalankira Kniaz legend listen Little Mermaid London Loreley male Mami Wata Mami Wata/mami wata Mariah Mariah Carey melodies Mermaid meyhane Michel Chion Muses musicians myth o√ers Odysseus opera Oxford performance Physiologus poem poet poetry popular Pushkin reflects Renaissance rock Rusalka Russian scene seductive sexual significance singer singing Sirènes sirinus soul sound specific sweet symbol tion tradition trans Turkish Twain Ulysses University Press visual vocal voice Wagner wave music wayñu woman women York