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The Romance of the Forest, by the Authoress of 'A Sicilian Romance'
No preview available - 2012
abbey Adeline affected agitation alarmed apartment appeared apprehension attention believe brought called chamber circumstances concealed concerning conduct continued conversation countenance danger dark discovered distance distress door doubt dreadful endeavoured entered escape express eyes father fear feel felt followed forest further hand heard heart hope hour imagination immediately inquired interest kindness late leave length less light listened live looked lost Louis Madame La Motte manner Marquis master means mind moment morning never night object observed occasion once opened ordered passed perceived perhaps person Peter possible present proceeded quitted raised reached reason recollected remained replied retired returned scene seemed seen sighed silent sometimes soon sound speak spirits steps stood suffered sure surprise tears tender terror Theodore thought till tion took trembling turned voice walked walls window wish
Page 41 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Page 190 - THOU, to whom the world unknown With all its shadowy shapes is shown ; Who see'st appall'd th' unreal scene, While Fancy lifts the veil between : Ah Fear ! Ah frantic Fear ! I see, I see thee near. I know thy hurried step, thy haggard eye ! Like thee I start, like thee disorder'd fly...
Page vi - The other shape — If shape it might be called that shape had none Distinguishable in member, joint or limb, Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart ; what seemed his head The likeness of a kingly crown had on.
Page vi - His figure was striking, but not so from grace ; it was tall, and, though extremely thin, his limbs were large and uncouth, and as he stalked along, wrapt in the black garments of his order, there was something terrible in its air ; something almost superhuman.
Page vi - An habitual gloom and severity prevailed over the deep lines of his countenance, and his eyes were so piercing that they seemed to penetrate, at a single glance, into the hearts of men, and to read their most secret thoughts ; few persons could support their scrutiny, or even endure to meet them twice.
Page 19 - The thistle shook its lonely head ; the moss whistled to the wind." A Gothjc gate richly ornamented with fret-work, which opened into the main body of the edifice, but which was now obstructed with brushwood, remained entire. Above the vast and magnificent portal of this gate arose a window of the same order, whose pointed arches still exhibited fragments of stained glass, once the pride of monkish devotion. La Motte, thinking it possible it might yet shelter some human being, advanced to the gate,...
Page 109 - Upon Adeline, who was yet insensible, he gazed with an eager admiration, which seemed to absorb all the faculties of his mind. She was, indeed, an object not to be contemplated with indifference. Her beauty, touched with the languid delicacy of illness, gained from sentiment what it lost in bloom. The negligence of her dress, loosened for the purpose of freer respiration, discovered those glowing charms, which her auburn tresses, that fell in profusion over her bosom, shaded, but could not conceal.
Page 195 - The walls were painted in fresco, representing scenes from Ovid,* and hung above with silk drawn up in festoons and richly fringed. The sofas were of a silk to suit the hangings. From the centre of the ceiling, which exhibited a scene from the Armida of Tasso,* descended a silver lamp of Etruscan form:* it diffused a blaze of light, that, reflected from large pier glasses,* completely illuminated the saloon. Busts of Horace, Ovid, Anacreon, Tibullus, and Petronius Arbiter,* adorned the recesses,...
Page 202 - I watch the gay tints passing swift, And twilight veil the liquid plain. Then, when the breeze has sunk away, And ocean scarce is heard to lave, For me the sea-nymphs softly play Their dulcet shells beneath the wave. Their dulcet shells! I hear them now, Slow swells the strain upon mine ear; Now faintly falls— now warbles low, Till rapture melts into a tear. The ray that silvers o'er the dew, And trembles through the leafy shade, And tints the scene with softer hue, Calls me to rove the lonely...
Page i - Barbauld) to scorn to move those passions which form the interest of common novels : she alarms the soul with terror; agitates it with suspense, prolonged and wrought up to the most intense feeling by mysterious hints and obscure intimations of unseen danger.