Studio International, Volume 195Studio Trust, 1980 - Art |
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abstract activity alienation alternative spaces Angeles architects architecture Art Gallery art world artists Arts Council Asger Jorn attitude audience avant-garde Barry Flanagan become British building California Centre century collection colour contemporary art created creative critics cultural Danish David decade drawings Edinburgh Edinburgh Festival exhibition experience expression feel film Finland Finnish function graphic human idea important institutions interest issue Jasia Reichardt John Joseph Beuys landscape lives London look means Michael Modern Art movement Museum National nature Niggle object organisation painter painting park Paul Neagu performance photographs picture political Popo printmaking production radical reality Richard Demarco Sam Francis Scottish Scottish Arts Council sculpture seems sense Sept Serpentine Gallery seventies social society Street structure Studio International style surrealist Tate Tate Gallery theme things tion tradition York Yves Klein