Ellora, an Enigma in Sculptural Styles

Abhira activity aesthetic Aihole Amaravati Andhra architecture art history artisans artists attributed Aurangabad Aurangabad Caves Badami Baroda Brahmanical caves Buddhist Buddhist caves carved Cave 14 Cave 21 Cave Temples century Chalukyan Chalukyan idiom chronology classical complex Culture Dantidurga Dasavatara Deccan Delhi Deshpande Dhumarlena discernible dynasty early Ekanamsa Elephanta Ellora Caves Ellora sculpture evolution excavated Goetz guild Gupta hence ibid iconographic images Indian art Indian sculpture inscription interactions juncture Kailasa Kailasa temple Kailasanatha Kalachuri Kannal Krishnaraja later lineages Maharashtra Mahisamardini mandapa manifestations Marathi mentioned methodology Mirashi monolith monument Nagara nandimandapa Nataraja observed Pallava Parimoo Parvati patronage Pattadakal Pavnar phase possible Pratihara present context Ramtek Rastrakuta Ravananugraha region reveal River Goddesses scholars sculptural panels seen Shivaramamurti shrine similar Siva Soundara Rajan Spink stage Stella Kramrisch style stylistic development suggested Tartakov theatricality trace tradition Traikutaka Trivikrama Vaisnavite Vakataka Vijayawada Virupaksa Visnu visual W.Spink wall Western