An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 pages |
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Page 7
... mention of places remarkably romantic , the supposed habitation of Druids , bards , and wizards , is far more pleasing to the imagination , than the obvious introduction of Cam and Isis , as seats of the Muses . A shepherd in Theocritus ...
... mention of places remarkably romantic , the supposed habitation of Druids , bards , and wizards , is far more pleasing to the imagination , than the obvious introduction of Cam and Isis , as seats of the Muses . A shepherd in Theocritus ...
Page 61
... mention of this pathetic air , reminds me of a story of the celebrated Lully , who having been one day accused of never setting any thing to music , but the languid verses of Quinault , was immediately animated with the reproach , and ...
... mention of this pathetic air , reminds me of a story of the celebrated Lully , who having been one day accused of never setting any thing to music , but the languid verses of Quinault , was immediately animated with the reproach , and ...
Page 88
... mention of an author , named Aretades , who composed an entire treatise on this sort of resemblances . And St. Jerome relates , that his preceptor , Do- natus , explaining that sensible passage in Terence , " Nihil " Nihil est dictum ...
... mention of an author , named Aretades , who composed an entire treatise on this sort of resemblances . And St. Jerome relates , that his preceptor , Do- natus , explaining that sensible passage in Terence , " Nihil " Nihil est dictum ...
Page 142
... . We have not many compositions where NEW and uncommon rhymes are introduced . One or two writers , * Ver . 324. † Inst . Orat . lib . vii . c . 3 . ‡ Ver . 350 . writers , however , I cannot forbear mentioning , who 142 ESSAY ON THE ...
... . We have not many compositions where NEW and uncommon rhymes are introduced . One or two writers , * Ver . 324. † Inst . Orat . lib . vii . c . 3 . ‡ Ver . 350 . writers , however , I cannot forbear mentioning , who 142 ESSAY ON THE ...
Page 143
Joseph Warton. writers , however , I cannot forbear mentioning , who have been studious of this beauty . They are Parnell ; Pitt , in his Translation of Vida ; West , in his Pindar ; Thomson , in the Castle of Indolence ; and the author ...
Joseph Warton. writers , however , I cannot forbear mentioning , who have been studious of this beauty . They are Parnell ; Pitt , in his Translation of Vida ; West , in his Pindar ; Thomson , in the Castle of Indolence ; and the author ...
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Abelard abounds Addison admirable Ćneid ancient ANTISTROPHE appear Ariosto bard beautiful Boileau Cant canto celebrated character Chaucer circumstances composition critics Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath hero Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lover manner merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quć Quintilian Racine racter reader remarkable Sappho satire says scene sentiments solemn Sophocles speak species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated ture verses Virgil Voltaire words writer written
Popular passages
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me, I fondly dream ! Had ye been there...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 145 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 231 - Let wreaths of triumph now my temples twine, (The victor cried) the glorious prize is mine ! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long as Atalantis shall be read...
Page 313 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 219 - water glide away, And sip, with nymphs, their elemental tea. The graver prude sinks downward to a gnome, In search of mischief still on earth to roam. The light coquettes in sylphs aloft repair, And sport and flutter in the fields of air.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.