 | Samuel Taylor Coleridge - Aesthetics - 1817 - 312 pages
...will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses,...unify. It is essentially vital, even as all objects (a* objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play... | |
 | Samuel Taylor Coleridge - Criticism - 1834 - 360 pages
...will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses,...all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definities. The... | |
 | Samuel Taylor Coleridge - Literary Criticism - 1834 - 368 pages
...will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses,...struggles to idealize and to unify. It is essentially ritiil, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has... | |
 | Samuel Taylor Coleridge - 1840 - 582 pages
...will, yet still as identical with the primary in the kind of its agencv, and differing only in degree, mind, or it is not I to re-create ; or, where fins process is rendered im! possible, yet still, at all events, it struggles... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - Aesthetics - 1847 - 572 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead." FANCY, on the contrary, has no other counters to play with, but fixities and definites. The... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - Criticism - 1847 - 462 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.i4 It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.i6 FANCY, on the contrary, has no other counters to play with, but fixities and definites. The... | |
 | Samuel Taylor Coleridge - 1847 - 282 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...unify. It is essentially vital, even as all objects (as _objects) are essentially fixed and dead.15 FANCY, on the contrary, has no other counters to play with,... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - Criticism - 1847 - 570 pages
...where this process is rendered rnipos- I sible, yet still at all events it struggles to idealize and I to unify, , It is essentially vital, even as all objects (as / objects) are essentially fixecTana1 dead.15 . J FANCY, on the contrary, has no other counters to play" with, 'btil fixities... | |
 | 1848 - 722 pages
...will, yet still as identical with tiie primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses,...to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The... | |
 | 1848 - 1390 pages
...will, yet still as identical with tae primary in the land of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses,...struggles to idealize and to unify. It is essentially rilal," etc. " FAKCY, on the contrary, has no other counters to play with, but fixities ;md definities.... | |
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I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to... 
