Other editions - View all
able action advantage ancient appear attempt attention believe called cause character common considered continued copies criticism desire dictionary diligence discovered easily easy editions endeavoured English equally excellence exhibit expected followed force formed give given greater hands Henry honour hope human idea ignorance importance improve Italy kind king knowledge known labour language laws learned least less letters likewise living lost Macbeth mankind manner means mind nature necessary never NOTE observed occasion once opinion original particular pass passage perform perhaps play pleasing poet practice praise present preserved produced proper published reader reason received regard relate remarkable require rules scenes seems sense Shakespeare shew sometimes stand suffered sufficient supply supposed things thought tion true truth whole writers written
Page 110 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Page 127 - His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find.
Page 144 - The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really imagines himself at Alexandria, and believes that his •walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Page 134 - ... poetry. This reasoning is so specious, that it is received as true even by those who in daily experience feel it to be false. The interchanges of mingled scenes seldom fail to produce the intended vicissitudes of passion. Fiction cannot move so much, but that tHe attention may be easily transferred ; and though it must be allowed that pleasing melancholy be sometimes interrupted by unwelcome levity, yet let it be considered likewise, that melancholy is often not pleasing, and that the disturbance...
Page 81 - If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature ? Present fears Are less than horrible imaginings. My thought, whose murder yet is but fantastical *, Shakes so my single state of man, that function Is smother'd in surmise, and nothing is, But what is not.
Page 135 - When Shakespeare's plan is understood, most of the criticisms of Rymer and Voltaire vanish away. The play of Hamlet is opened without impropriety by two sentinels; lago bellows at Brabantio's window without injury to the scheme of the play, though in terms which a modern audience would not easily endure; the character of Polonius is seasonable and useful, and the gravediggers themselves may be heard with applause.
Page 127 - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied.
Page 166 - ... comprehension of thought, and such his copiousness of language. Out of many readings possible, he must be able to select that which best suits with the state, opinions, and modes of language prevailing in every age, and with his author's particular cast of thought, and turn of expression. Such most be his knowledge, and such his taste. Conjectural criticism demands more than humanity possesses, and he that exercises it with most praise, has very frequent need of indulgence. Let us now be told...
Page 145 - Cleopatra. Surely he that imagines this may imagine more. He that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of Actium. Delusion, if delusion be admitted, has no certain limitation ; if the spectator can be once persuaded, that his old acquaintance are Alexander and...