Sangeet Natak, Issues 103-106

acting actors aesthetic ālāpa appear artistic attention audience beats become Bombay called century chapter character classical concept continued course critic cultural dance criticism dancers Delhi Denishawn devotional distinct Drama effects essay experience expression fact feeling festival figure give hand Hindustani important Indian dance individual interest involved Kathak Khan kind knowledge language literature living look material mean merely movement musicians Nautch notes paintings Pandit particular performance perhaps play popular practice Prahlad present published pure question rāga ragamala refer refugees rhythm role Ruth St Sangeet Natak Sangeet Natak Akademi scene seems significance singer singing songs specific St Denis stage style suggest Surbahar Swaminathan syllables taken tala technique temple Thambiran theatre Therukoothu tion tradition various village Workshop writing Yassin