Sangeet Natak, Issues 103-106

acting actors aesthetic appear artistic attention audience beats become Bombay called century chapter character classical concept continuity course cover critic cultural dance criticism dancers Delhi Denishawn devotional distinct Drama effect essay experience expression fact feeling festival figure give hand Hindustani important Indian dance Indian theatre individual interest involved Kathak Khan kind knowledge language literature living look material mean modes movement musicians Nautch notes paintings Pandit particular performance perhaps play practice Prahlad present published question rāga ragamala refer refugees rhythm role Ruth St Sangeet Natak Sangeet Natak Akademi Sanskrit scene seems singing songs specific St Denis stage style suggest Surbahar Swaminathan syllables taken tala technique temple Thambiran Therukoothu tradition University various village Western Workshop writing Yassin