The Cambridge Companion to DanteRachel Jacoff This 2007 second edition of The Cambridge Companion to Dante is designed to provide an accessible introduction to Dante for students, teachers and general readers. The volume was fully updated and includes three new essays on Dante's works. The suggestions for further reading now include secondary works and translations as well as online resources. The essays cover Dante's early works and their relation to the Commedia, his literary antecedents, both vernacular and classical, biblical and theological influences, the historical and political dimensions of Dante's works, and their reception. In addition there are introductory essays to each of the three canticles of the Commedia that analyse their themes and style. This edition will ensure that the Companion continues to be the most useful single volume for new generations of students of Dante. |
From inside the book
Results 1-5 of 80
Page 5
... Paradiso as the vision of peace and play? Who can say whether or not it was in the middle of that feast that he discovered his vocation to be a poet? One would expect this sort of question to be asked by a biographer in the mold of, say ...
... Paradiso as the vision of peace and play? Who can say whether or not it was in the middle of that feast that he discovered his vocation to be a poet? One would expect this sort of question to be asked by a biographer in the mold of, say ...
Page 10
... Paradiso, and when he was halfway through (Paradiso 17 is a glittering celebration of Cangrande's generosity and, retrospectively, a farewell to him) he took his leave. In 1319 Guido Novello of Polenta invited him to move to Ravenna ...
... Paradiso, and when he was halfway through (Paradiso 17 is a glittering celebration of Cangrande's generosity and, retrospectively, a farewell to him) he took his leave. In 1319 Guido Novello of Polenta invited him to move to Ravenna ...
Page 11
... Paradiso he wrote or revised while in Ravenna. It would not be entirely correct to suggest that the genius loci of Ravenna was merely the twilight, sepulchral sense that emanated from it and spoke so powerfully to the inward-looking ...
... Paradiso he wrote or revised while in Ravenna. It would not be entirely correct to suggest that the genius loci of Ravenna was merely the twilight, sepulchral sense that emanated from it and spoke so powerfully to the inward-looking ...
Page 15
... paradiso, al santo loco ch'aggio audito dire, u' si mantien sollazzo, gioco e riso. Sanza mia donna non vi voria gire, quella c'ha blonda testa e claro viso, ch ́e sanza lei non poteria gaudere, estando da la mia donna diviso. Ma no lo ...
... paradiso, al santo loco ch'aggio audito dire, u' si mantien sollazzo, gioco e riso. Sanza mia donna non vi voria gire, quella c'ha blonda testa e claro viso, ch ́e sanza lei non poteria gaudere, estando da la mia donna diviso. Ma no lo ...
Page 48
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Aeneid affirms allegory Aristotle auctor Augustine authority Beatrice Beatrice’s beginning Bible biblical Boccaccio Brunetto Latini Cacciaguida Cambridge canticle canto canzone Cavalcanti character Christ Christian circle classical Comedy commentary conflict Convivio creation Dante Studies Dante-protagonist Dante’s Dantean death defined definition desire difficult discourse divine earthly emperor empire exile Farinata fiction figure final finally find first five Florence Florentine Geryon Ghibelline God’s Guelfs Guido Guido Cavalcanti Guido Guinizzelli Guinizzelli heaven Hell human identified Inferno influence Italian Italy journey lady language Latin lines literal literary lyric medieval Metamorphoses Monarchia moral narrative Ovid Ovidian Paradiso Paradiso 17 philosophical pilgrim poem poem’s poet poet’s poetic poetry political pope popolo Princeton Purgatorio reader reflect rhyme Rome salvation salvific Scripture significance sonnet soul specifically Statius story T. S. Eliot terza rima Testament Thebaid theological tradition Transfiguration Ulysses University Press vernacular verse Virgil virtue vision Vita nuova words