The Cambridge Companion to DanteRachel Jacoff This 2007 second edition of The Cambridge Companion to Dante is designed to provide an accessible introduction to Dante for students, teachers and general readers. The volume was fully updated and includes three new essays on Dante's works. The suggestions for further reading now include secondary works and translations as well as online resources. The essays cover Dante's early works and their relation to the Commedia, his literary antecedents, both vernacular and classical, biblical and theological influences, the historical and political dimensions of Dante's works, and their reception. In addition there are introductory essays to each of the three canticles of the Commedia that analyse their themes and style. This edition will ensure that the Companion continues to be the most useful single volume for new generations of students of Dante. |
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Page 14
... conflict with the love-service owed the other. The conflict is rendered with great clarity in this 14 2 ...
... conflict with the love-service owed the other. The conflict is rendered with great clarity in this 14 2 ...
Page 15
Rachel Jacoff. other. The conflict is rendered with great clarity in this sonnet by Giacomo da Lentini: Io m'aggio posto in core a Dio servire, com'io potesse gire in paradiso, al santo loco ch'aggio audito dire, u' si mantien sollazzo ...
Rachel Jacoff. other. The conflict is rendered with great clarity in this sonnet by Giacomo da Lentini: Io m'aggio posto in core a Dio servire, com'io potesse gire in paradiso, al santo loco ch'aggio audito dire, u' si mantien sollazzo ...
Page 16
... conflict is already present in the fourth line's very secular – and very courtly – definition of paradise as a place that offers “sollazzo, gioco e riso”: a trio lexically and morally associated not with the pleasures of paradise, but ...
... conflict is already present in the fourth line's very secular – and very courtly – definition of paradise as a place that offers “sollazzo, gioco e riso”: a trio lexically and morally associated not with the pleasures of paradise, but ...
Page 21
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Page 71
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Aeneid affirms allegory Aristotle auctor Augustine authority Beatrice Beatrice’s beginning Bible biblical Boccaccio Brunetto Latini Cacciaguida Cambridge canticle canto canzone Cavalcanti character Christ Christian circle classical Comedy commentary conflict Convivio creation Dante Studies Dante-protagonist Dante’s Dantean death defined definition desire difficult discourse divine earthly emperor empire exile Farinata fiction figure final finally find first five Florence Florentine Geryon Ghibelline God’s Guelfs Guido Guido Cavalcanti Guido Guinizzelli Guinizzelli heaven Hell human identified Inferno influence Italian Italy journey lady language Latin lines literal literary lyric medieval Metamorphoses Monarchia moral narrative Ovid Ovidian Paradiso Paradiso 17 philosophical pilgrim poem poem’s poet poet’s poetic poetry political pope popolo Princeton Purgatorio reader reflect rhyme Rome salvation salvific Scripture significance sonnet soul specifically Statius story T. S. Eliot terza rima Testament Thebaid theological tradition Transfiguration Ulysses University Press vernacular verse Virgil virtue vision Vita nuova words