The Cambridge Companion to DanteRachel Jacoff This 2007 second edition of The Cambridge Companion to Dante is designed to provide an accessible introduction to Dante for students, teachers and general readers. The volume was fully updated and includes three new essays on Dante's works. The suggestions for further reading now include secondary works and translations as well as online resources. The essays cover Dante's early works and their relation to the Commedia, his literary antecedents, both vernacular and classical, biblical and theological influences, the historical and political dimensions of Dante's works, and their reception. In addition there are introductory essays to each of the three canticles of the Commedia that analyse their themes and style. This edition will ensure that the Companion continues to be the most useful single volume for new generations of students of Dante. |
From inside the book
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Page 9
... vernacular as the root and bark of the politics, law, poetry, and theology of the whole of Italy. The Convivio, on the other hand, presents itself as an ethics and, as such, recalls both the teachings Dante received from Brunetto Latini ...
... vernacular as the root and bark of the politics, law, poetry, and theology of the whole of Italy. The Convivio, on the other hand, presents itself as an ethics and, as such, recalls both the teachings Dante received from Brunetto Latini ...
Page 14
... vernacular lyric poets, the so-called Sicilian School. The centralized imperial court did not offer a suitable venue for the transplantation of Provence's contentious political poetry, which was left behind. The “leader” (or caposcuola) ...
... vernacular lyric poets, the so-called Sicilian School. The centralized imperial court did not offer a suitable venue for the transplantation of Provence's contentious political poetry, which was left behind. The “leader” (or caposcuola) ...
Page 25
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Page 32
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Page 34
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Common terms and phrases
Aeneid affirms allegory Aristotle auctor Augustine authority Beatrice Beatrice’s beginning Bible biblical Boccaccio Brunetto Latini Cacciaguida Cambridge canticle canto canzone Cavalcanti character Christ Christian circle classical Comedy commentary conflict Convivio creation Dante Studies Dante-protagonist Dante’s Dantean death defined definition desire difficult discourse divine earthly emperor empire exile Farinata fiction figure final finally find first five Florence Florentine Geryon Ghibelline God’s Guelfs Guido Guido Cavalcanti Guido Guinizzelli Guinizzelli heaven Hell human identified Inferno influence Italian Italy journey lady language Latin lines literal literary lyric medieval Metamorphoses Monarchia moral narrative Ovid Ovidian Paradiso Paradiso 17 philosophical pilgrim poem poem’s poet poet’s poetic poetry political pope popolo Princeton Purgatorio reader reflect rhyme Rome salvation salvific Scripture significance sonnet soul specifically Statius story T. S. Eliot terza rima Testament Thebaid theological tradition Transfiguration Ulysses University Press vernacular verse Virgil virtue vision Vita nuova words