Shakespeare's Dramatic Art: History and Character of Shakespeare's Plays, Volume 2G. Bell and sons, 1891 - English drama |
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Page 29
... Prince , upon hearing which the Queen falls down in an apparently lifeless state . This concludes the first three acts . fourth , which opens with a prologue , is supposed to begin sixteen years afterwards . The son of the King of ...
... Prince , upon hearing which the Queen falls down in an apparently lifeless state . This concludes the first three acts . fourth , which opens with a prologue , is supposed to begin sixteen years afterwards . The son of the King of ...
Page 30
... Prince , following the advice of Camillo , and in order to elude his father's violence , flies with his beloved to King Leontes in Sicilia ; the latter , in the meantime , has , in deep sorrow and contrition repented of his wrong ...
... Prince , following the advice of Camillo , and in order to elude his father's violence , flies with his beloved to King Leontes in Sicilia ; the latter , in the meantime , has , in deep sorrow and contrition repented of his wrong ...
Page 31
... Prince's love for the exceedingly beautiful shep- herdess , etc. — although unusual , are nevertheless in accord- ance with reality ; the characters , also , are consistently developed , without sudden changes and psychological im ...
... Prince's love for the exceedingly beautiful shep- herdess , etc. — although unusual , are nevertheless in accord- ance with reality ; the characters , also , are consistently developed , without sudden changes and psychological im ...
Page 36
... prince's heart to choose that which the pride and hoary wisdom of his father would have cast aside ! What a significant contrast is made by the poor , joyous and peaceful life of the shepherds , as opposed to the brilliant misery of the ...
... prince's heart to choose that which the pride and hoary wisdom of his father would have cast aside ! What a significant contrast is made by the poor , joyous and peaceful life of the shepherds , as opposed to the brilliant misery of the ...
Page 48
... and covetousness ; in a droll parody , we find that the same creeping plants of evil also grow up among the lowest rabble , only in a 1 different form , and thus prince and subject are tethered 48 [ BOOK V. SHAKSPEARE'S COMEDIES .
... and covetousness ; in a droll parody , we find that the same creeping plants of evil also grow up among the lowest rabble , only in a 1 different form , and thus prince and subject are tethered 48 [ BOOK V. SHAKSPEARE'S COMEDIES .
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according accordingly action æsthetic ancient appeared beauty Ben Jonson Cæsar caprice character circumstances colouring comedy comic composition connection contrast Coriolanus death Delius diction Duke edition endeavoured exhibited external fact Falstaff fantastic favour feeling French Gentlemen of Verona German Gervinus give hand hence Henry Henry IV Henry VI historical drama human humour idea inasmuch intrigue Julius Cæsar King John Lastly latter Malone manner Marlowe's merely Merry Midsummer Night's Dream mind moral motives nature noble outward passages passion Pericles personages piece poet poet's poetical poetry political Portrait possess Prince printed Prospero's proved quarto Queen reality regards representation represented Richard Richard III scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare's spirit stage Steevens style theatre Tieck Timon of Athens tion Titus Andronicus tragic Trans translation True Tragedie truth unity vols whole wholly Winter's Tale written