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steady government to keep them within a due and limited province. But such as are of an irregular and vicious nature, are not to be governed, but to be banished from every well regulated mind.'

'He who lifts himself up to the observation and notice of the world, is, of all men, the least likely to avoid censure. For he draws upon himself a thousand eyes, that will narrowly inspect him in every part.'

The period should be used after every abbreviated word: as 'M. S. P. S. N. B. A. D. O.Š. N. S.' &c.

CHAPTER V.

OF THE DASH, NOTES OF INTERROGATION AND EXCLAMA TION, AND THE PARENTHESIS.

SECTION I.

Of the Dash.

The Dash, though often used improperly by hasty and incoherent writers, may be introduced with propriety, where the sentence breaks off abruptly; where a significant pause is required; or where there is no unexpected turn in the sentiment: as, 'If thou art he, so much respected once-but, oh! how fallen! how degraded!' 'If acting conformably to the will of our Creator ;-if promoting the welfare of mankind around us ;-if securing our own happiness;—are objects of the highest moment; then we are loudly called upon to cultivate and extend the great interests of religion and virtue.' A dash following a stop, denotes that the pause is to be greater than if the stop were alone; and when used by itself, requires a pause of such length as the sense alone can determine.

'Here lies the great-False marble, where ?
Nothing but sordid dust lies here.'

'Whatever is, is right.-This world, 'tis true,
Was made for Cæsar-but for Titus too.'

Besides the points which mark the pauses in discourse, there are characters, which denote a different modulation of voice, in correspondence to the sense.

These are,

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A note of Interrogation is used at the end of an interrogative sentence; that is, when a question is asked : as, 'Who will accompany me?' Shall we always be friends ?'

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Questions which a person asks himself in contemplation, ought to be terminated by points of interrogation : Who adorned the heavens with such exquisite beauty?' 'At whose command do the planets per

as,

form their constant revolutions ?'

To whom can riches give repute and trust,

Content or pleasure, but the good and just?'

A point of interrogation is improper after sentences which are not questions, but only expressions of admiration, or of some other emotion.

'How many instances have we of chastity and excellence in the fair sex !'

"With what prudence does the son of Sirach advise us, in the choice of our companions!'

A note of interrogation should not be employed, in cases where it is only said a question has been asked, and where the words are not used as a question. 'The Cyprians asked me why I wept.' To give this sentence the interrogative form, it should be expressed thus, 'The Cyprians said to me, 'Why dost thou weep?'

SECTION III.

Of the Exclamatory point.

The note of Exclamation is applied to expressions of sudden emotion, surprise, joy, grief, &c. and also to in

vocations or addresses: as, 'My friend this conduct amazes me!''Bless the Lord, O my soul! and forget not all his benefits!'

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'Oh! had we both our humble state maintained,
And safe in peace and poverty remained!'

Hear me,

O Lord! for thy loving kindness is great!

It is difficult in some cases, to distinguish between an interrogative and exclamatory sentence: but a sentence, in which any wonder or admiration is expressed, and no answer either expected or implied, may be always properly terminated by a note of exclamation: as, 'How much vanity in the pursuits of men !' 'Who can sufficiently express the goodness of our Creator!' is more amiable than virtue !'

'What

The interrogation and exclamation points are indeterminate as to their quantity or time, and may be equivalent in that respect to a semicolon, a colon, or a period, as the sense may require. They mark an elevation of the voice.

The utility of the points of Interrogation and Exclamation, appears from the following examples, in which the meaning is signified and discriminated solely by the points.

• What condescension!'
What condescension?'

'How great was the sacrifice!'
'How great was the sacrifice?'

SECTION IV.

Of the Parenthesis.

A Parenthesis is a clause containing some necessary information, or useful remark, introduced into the body of a sentence obliquely, and which may be omitted without injuring the grammatical construction; as,

Know then this truth, (enough fór man to know,)
Virtue alone is happiness below.

And was the ransom paid? It was; and paid (What can exalt his bounty more?) for thee.'

'To gain a posthumous reputation, is to save four or five letters (for what is a name besides?) from oblivion.' 'Know ye not, brethren, (for I speak to them that know the law,) how that the law hath dominion over a man as long as he liveth?"

If the incidental clause is short, or perfectly coincides with the rest of the sentence, it is not proper to use the parenthetical characters. The following instances are therefore improper uses of the parenthesis. 'Speak you (who saw) his wonders in the deep.' 'Every planet (as the Creator has made nothing in vain) is most probably inhabited.' 'He found them asleep again; (for their eyes were heavy;) neither knew they what to answer him.'

The parenthesis generally marks a moderate depression of the voice, and may be accompanied with every point which the sense would require, if the parenthetical characters were omitted. It ought to terminate with the same kind of stop which the member has, that precedes it; and to contain that stop within the parenthetical marks. We must, however, except cases of interrogation and exclamation: as, 'While they wish to please, (and why should they not wish it ?) they disdain dishonorable means. It was represented by an analogy, (Oh, how inadequate !) which was borrowed from the religion of paganism.'

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CHAPTER VI.

OF THE APOSTROPHE, CARET, &c.

There are other characters, which are frequently made use of in composition, and which may be explained in this place, viz.

An apostrophe, marked thus ' is used to abbreviate or

shorten a word: as, 'tis for it is; tho' for though; e'en for even; judg'd for judged.' Its chief use is to show the genitive case of nouns: as, 'A man's property; a woman's ornament.'

A

A Caret marked thus is placed where some word or letter happens to be left out in writing, and which is inserted over the line. This mark is also called a circumflex, when placed over a particular vowel, to denote a long syllable as, Euphrâtes.'

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A Hyphen, marked thus - is employed in connecting compound words: as, Lap-dog, tea-pot, pre-existence, self-love, to-morrow, mother-in-law.'

It is also used when a word is divided, and the former part is written or printed at the end of one line, and the latter part at the beginning of another. In this case,

it is placed at the end of the first line, not at the beginning of the second.

The acute Accent marked thus': as, 'Fáncy.' The Grave thus: as, ' Fàvor.'

In English the accentual marks are chiefly used in spelling-books and dictionaries, to mark the syllables which require a particular stress of the voice in pronunciation.

The stress is laid on long and short syllables indiscriminately. In order to distinguish the one from the other, some writers of dictionaries have placed the grave on the former, and the acute on the latter, in this manner Minor, mineral, lively, líved, rìval, ríver.'

The proper mark to distinguish a long syllable, is this as, Rosey:' and a short one this: as, 'Folly.' This last mark is called a breve.

A Diæresis, thus marked, consists of two points placed over one of the vowels that would otherwise make a diphthong, and parts them into two syllables: as, "Creätor, coädjutor, aërial.'

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