Thro' black smoke flaming, to the Phrygian pipe's Their orgies! If within the seats of men, 300 305 310 315 V. 297. Phrygian pipe's.] The Phrygian music was fantastic and turbulent, and fit to excite disorderly passions, V 302. The gates, where Fallas bolds-The guardian key.] It was the office of Minerva to be the guardian of walled cities, whence she was named ПOAIAΣ and ПОAIOYXOE, and had her statues placed in their gates, being supposed to keep the keys, and on that a count styled ΚΛΗΔΟΥΧΟΣ V. 31. Fate Of sober Pentheus.] Pentheus was torn in pieces by the Bacchanalian priests and women for despising their mysteries. Invokes th' immortal Muse. Th' immortal Muse 319 V. 318. The cave-Corycian.] Of this cave Pausanias in his tenth book gives the following description: "Be"tween Delphi and the eminences of Parnassus is a road "to the grotto of Corycium, which has its name from the nymph Corycia, and is by far the most remarkable which I have seen. One may walk a great way into "it without a torch. It is of a considerable height, and hath several springs within it; and yet a much greater "quantity of water distils from the shell and roof so as to be continually dropping on the ground. The people round Parnassus hold it sacred to the Corycian nymphs " and to Pan." V. 310. Delphic mount.] Delphi, the seat and oracle of Apollo, had a mountainous and rocky situation on the skirts of Parnassus. V. 327. Cyrenaic.] Cyrene was the native country of Callimachus, whose Hymns are the most remarkable example of that mythological passion which is assumed in the preceding poem, and have always afforded particular pleasure to the author of it by reason of the mysterious solemnity with which they affect the mind. On this account he was induced to attempt somewhat in the same manner, solely by way of exercise, the manner itself being now almost entirely abandoned in poetry: and as the mere genealogy or the personal adventures of Heathen gods could have been but little interesting to a modern reader, it was therefore thought pr per to select some convenient part of the history of Nature, and to employ. these ancient divinities as it is probable they were first employed, to wit, in personifying natural causes, and in representing the mutual agreement or opposition of the corporeal and moral powers of the world, which hath been accounted the very highest office of poetry. His lips will bathe, whether th' eternal lore To mortals he reveal, or teach his lyre 325 330 HYMN TO SCIENCE. O vitae pitosophia dux! Ovirtutis and gatrix, expultrixque vitiorum. "Tu urbes peperisti; tu inventrix legum, tu magistra morum et disciplinae fuisti: ad te confugimus, a te opem petimus." CIC. Tusc. Quaest. I. SCIENCE! thou fair effusive ray, Descend with all thy treasures fraught, And bless my lab'ring mind! II. But first with thy resistless light Disperse those phantoms from my sight, 6 Those mimic shades of thee, The scholiast's learning, sophist's cant, The monk's philosophy. III. O let thy pow'rful charms impart Which no weak passions e'er mislead, ·IV. Give me to learn each secret cause; Let Number's, Figure's, Motion's, laws These to great Nature's scenes apply, V. Next to thy nobler search resign'd The busy, restless, human mind 18 24 Catch the ideas as they rise, And all their changes view. VI. Say from what simple springs began 30 Which range beyond control, VII. Her secret stores let Mem'ry tell, While prompt her sallies to control Reason the judge recalls the soul VIII. Then launch thro' Being's wide extent j And from the dead corporeal mass There, Science! veil thy daring eye, To Faith content thy beams to lend, X. Then downwards take thy flight again, 48 54 36 |