Conversations with Mani Ratnam
Mani Ratnam’s Nayakan is among Time’s ‘100 Best Movies Ever’; and Roja launched A.R. Rahman. This book, unique to Indian cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films. In these freewheeling conversations—candid, witty, pensive, and sometimes combative—many aspects of his films are explored. Ratnam elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships (Agni Natchatiram) to the rents in the national fabric (Bombay); his directing of children (Anjali); his artful use of songs; his innovative use of lighting; as also his making of films in Hindi and other languages. There are fond recollections of collaborations with stalwarts like Balu Mahendra, P.C. Sreeram, Thotta Tharrani and Gulzar, among many others. And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilaiyaraaja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived. In short, like Mani Ratnam’s films, Conversations surprises, entertains and stimulates. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, and with posters, script pages and numerous stills, this book is a sumptuous treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.
What people are saying - Write a review
Interesting read! In as much as Google would let me read (which is not much), the writer has managed to keep Mani Ratnam in the centre piece of the narrative. Mani Ratnam comes across as genuine and open, baring details of how he got into films a little late, his naivete initially about how they are made. I would love to get my hands on the book soon.
What I find hard to believe is that Ratnam, Rangan do not acknowledge the fact that being from a filmy family one definitely has the safety net and the contacts, help needed whenever one needed to reach out to perhaps anyone in any department. How else would one get an Ilayaraja, Mahendra etc to sign up for a first time director on low budget!? Good one from Rangan though!