India Perspectives, Volume 9, Issue 6 - Volume 10, Issue 6PTI for the Ministry of External Affairs, 1996 - India |
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Page 10
Mallika continued the tradition of creative choreography by absorbing the trend of
depicting social issues , so well enunciated by her own mother Mrinalini . In her
choreographic work she drew on many elements to create a new vocabulary .
Mallika continued the tradition of creative choreography by absorbing the trend of
depicting social issues , so well enunciated by her own mother Mrinalini . In her
choreographic work she drew on many elements to create a new vocabulary .
Page 42
Bundi painting did not have a continued court patronage as rulers with aesthetic
inclination were followed by rulers with boorish tastes . Hence we have periods of
brilliance followed by periods of lack - lustre routine work . Towards the end of ...
Bundi painting did not have a continued court patronage as rulers with aesthetic
inclination were followed by rulers with boorish tastes . Hence we have periods of
brilliance followed by periods of lack - lustre routine work . Towards the end of ...
Page 32
... seen the best and the finest of quality cloth in the Deccan , the delicacy and
dexterity of which " could only be compared to that of a spider ' s web " . And so
from one generation to the other , the weaving heritage has continued
uninterupted .
... seen the best and the finest of quality cloth in the Deccan , the delicacy and
dexterity of which " could only be compared to that of a spider ' s web " . And so
from one generation to the other , the weaving heritage has continued
uninterupted .
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