India Perspectives, Volume 9, Issue 6 - Volume 10, Issue 6PTI for the Ministry of External Affairs, 1996 - India |
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Page 40
The three pupils of Mir Syed Alim and Abdal Samad who painted the Chunar
Ragmala set the trend in style . It was copied extensively at Bundi and might have
been commissioned by Bhoj Singh ( 15871607 ) who served at Varanasi .
The three pupils of Mir Syed Alim and Abdal Samad who painted the Chunar
Ragmala set the trend in style . It was copied extensively at Bundi and might have
been commissioned by Bhoj Singh ( 15871607 ) who served at Varanasi .
Page 42
The reddish brown tinge of the faces and the tall graceful and slightly - built
female figure , part of the characteristic Bundi style , now showed a change for tall
figures in pearl jewellery , men in long jamas patkas and churidars , while women
...
The reddish brown tinge of the faces and the tall graceful and slightly - built
female figure , part of the characteristic Bundi style , now showed a change for tall
figures in pearl jewellery , men in long jamas patkas and churidars , while women
...
Page 16
Rao himself had ennobled the humble ' bansuri , as this reed instrument is
termed , to concert dimensions in the Ravi Shankar style . Sachdev ' s eleven
year discipleship under him , therefore , was a further reiteration and continuation
of this ...
Rao himself had ennobled the humble ' bansuri , as this reed instrument is
termed , to concert dimensions in the Ravi Shankar style . Sachdev ' s eleven
year discipleship under him , therefore , was a further reiteration and continuation
of this ...
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