New Theatre Quarterly 70: Volume 18, Part 2Clive Barker, Simon Trussler New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 70 provisionally include: A Farewell to Jan Kott; Raised and Written in Contradiction: the Final Interview, Arden and Absolute Milan: Jan Kott and the Kinds of Exile, The Maker and the Tool: High Culture, Popular Culture, and the Work of Charles Parker, Re-Placing the Audience: a Survey of Site-Specific Theatre in Britain. |
From inside the book
Results 1-5 of 20
Page 120
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 122
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 132
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 155
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 163
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
Jan Kott and John McGrath | 99 |
the Final Interview | 103 |
Arden and Absolute Milan | 121 |
Theatre and Democracy | 133 |
a Survey of SiteSpecific Performance in Britain | 140 |
the Japanese Production of Ria O | 161 |
the Passageway in Noh and Greek Theatres | 176 |
Carnival Cultural Identity and Mustapha Maturas Play Mas | 186 |
NTQ Book Reviews | 196 |
Common terms and phrases
actors Aeschylus American artists Arts audience Balinese Ban'yu Inryoku began Boy-Żeleński Brecht Cambridge carnival centre century communist context Cordelia created cultural dance dancer democracy director drama Edgar Edmund eisodos émigré ence English essays event exile Experimental Musical Ferdydurke festival Fool French funding Gombrowicz Greek theatre Grotowski hashigakari identity influence interest Jan Kott Japan Japanese theatre John McGrath Kabuki Kantor King Lear Kott's Kuharski later Lear's literary literature London mask Matura ment Molière motifs movement space musical narrative Noh stage passageway Peter Brook play Poland Polish literature Polish theatre political practitioners production question ritual role scene Shakespeare Our Contemporary Shakespearean Shuji Terayama site-specific performance social society spatial specific Strehler structures survey symbolic Tadeusz Boy-Żeleński Tenjo Sajiki theatre building Theatre Company theatrical experi tion tour traditional tragedy translated University Warsaw Witold Gombrowicz Wrights & Sites writing
Popular passages
Page 194 - Rags" and the Devil on the Throne: A study of protest and inversion in the carnival of post-emancipation Trinidad'.