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A long adieu !-but where shall fly
Thy widow all forlorn,

When every mean and cruel eye
Regards my woe with scorn?

Yes, they will mock thy widow's tears,
And hate thy orphan boy!
Alas! his infant beauty wears
The form of Gilderoy.

Then will I seek the dreary mound
That wraps thy mouldering clay,
And weep and linger on the ground
And sigh my heart away!

THREE FISHERS WENT SAILING.

THE REV. CHARLES KINGSLEY.

[The Rev. Charles Kingsley was born, 1819, at Holme Vicarage, near Dartmoor. He was educated at King's College, London, and Magdalene College, Cambridge. From the rector of Eversley, Hampshire, he became, in 1859, Canon of Chester Cathedral, and, four years later, of Westminster Abbey. His writings include "The Saint's Tragedy," 1848; "Alton Locke," a novel, 1850; "Yeast, a Problem," 1851; "Westward Ho," a novel; "Glaucus, or the Wonders of the Shore; "Andromeda," and other poems (1858), &c. &c. He was editor of "Macmillan's Magazine," and professor of Literature in Cambridge University. Died, 1875.]

THREE fishers went sailing out into the West,

Out into the West as the sun went down;

Each thought on the woman who loved him best,

And the children stood watching them out of the town:
For men must work, and women must weep,
And there's little to earn, and many to keep,
Though the harbour-bar be moaning.

Three wives sat up in the lighthouse tower,

And they trimm'd the lamps as the sun went down;
They looked at the squall, and they looked at the shower,
And the night-rack came rolling up ragged and brown;
But men must work, and women must weep,
Though storms be sudden, and waters deep,
And the harbour-bar be moaning.

Three corpses lie out in the shining sands,

In the morning gleam, as the tide went down,

And the women are weeping and wringing their hands,
For those who will never come home to the town.

For men must work, and women must weep,
And the sooner it's over, the sooner to sleep,

And good-bye to the bar and its moaning.

THE MOTHER'S LAMENT.

GERALD GRIFFIN.

[See page 153.]

My darling, my darling, while silence is on the moor,
And lone in the sunshine I sit by our cabin door;
When evening falls quiet and calm over land and sea,
My darling, my darling, I think of past times and thee.

Here, while on this cold shore, I wear out my lonely hours,
My child in the heavens is spreading my bed with flowers:
All weary my bosom is grown of this friendless clime,
But I long not to leave it; for that were a shame and crime.

They bear to the churchyard the youth in their health away,
I know where a fruit hangs more ripe for the grave than they;
But I wish not for death, for my spirit is all resigned,
And the hope that stays with me, gives peace to my aged mind.

My darling, my darling, God gave to my feeble age

A prop for my faint heart, a stay in my pilgrimage:
My darling, my darling, God takes back his gift again—
And my heart may be broken, but ne'er shall my will complain.

NAPOLEON'S MIDNIGHT REVIEW.

MERY AND BARTHELEMY.

Ar midnight, from his grave,
The drummer woke and rose,
And beating loud the drum,
Forth on his rounds he goes.

Stirred by his faithful arms,

The drumsticks patly fall,
He beats the loud retreat,
Reveillé and roll-call.

So grandly rolls that drum,
So deep it echoes round,
Old soldiers in their graves,
Start to life at the sound.

Both they in farthest North
Stiff in the ice that lay,
And who too warm repose
Beneath Italian clay;

Below the mud of Nile,

And 'neath Arabian sand;
Their burial place they quit,
And soon to arms they stand.

And at midnight, from his grave,
The trumpeter arose;

And mounted on his horse,

A loud shrill blast he blows.

On aëry coursers then,
The cavalry are seen,
Old squadrons erst renowned,
Gory and gashed, I ween.

Beneath the casque their blanchèd skulls
Smile grim, and proud their air,

As in their iron hands,

Their long sharp swords they bear.

And at midnight from his tomb
The chief awoke, and rose;
And followed by his staff,
With slow steps on he goes.

A little hat he wears,

A coat quite plain has he, A little sword for arms

At his left side hangs free.

O'er the vast plain, the moon
A solemn lustre threw ;
The man with the little hat
The troops goes to review.

The ranks present their arms,
Deep roll the drums the while;
Recovering then-the troops
Before the chief defile.

Marshals and generals round
In circle formed appear:
The chief to the first a word
Then whispers in his ear.

The word goes down the ranks,
Resounds along the Seine;
That word they give, is France,
The answer-Saint Hélène :

'Tis there, at midnight hour,
The Grand Review, they say,

Is by dead Cæsar held,

In the Champs Elysées,

THE LAST MAN.

THOMAS CAMPBELL.

[See p. 216.]

ALL worldly shapes shall melt in gloom,
The sun himself must die,
Before this mortal shall assume
Its immortality!

I saw a vision in my sleep

That gave my spirit strength to sweep
Adown the gulf of Time!

I saw the last of human mould,
That shall creation's death behold,
As Adam saw her prime!

The sun's eye had a sickly glare,
The earth with age was wan,
The skeletons of nations were
Around that lonely man!

Some had expired in fight, the brands
Still rusted in their bony hands;
In plague and famine some!

Earth's cities had no sound nor tread;
And ships were drifting with the dead
To shores where all was dumb!

Yet, prophet-like, that lone one stood,
With dauntless words and high,

That shook the sere leaves from the wood
As if a storm pass'd by-

Saying, We are twins in death, proud sun, Thy face is cold, thy race is run,

"Tis mercy bids thee go;

For thou ten thousand thousand years
Hast seen the tide of human tears,
That shall no longer flow.

What though beneath thee man put forth

His pomp, his pride, his skill;

And arts that made fire, flood, and earth,

The vassals of his will ;

Yet mourn I not thy parted sway,
Thou dim discrowned king of day:

For all those trophied arts

And triumphs that beneath thee sprang, Heal'd not a passion or a pang

Entail'd on human hearts.

Go, let oblivion's curtain fall

Upon the stage of men,

Nor with thy rising beams recall
Life's tragedy again.

Its piteous pageants bring not back,
Nor waken flesh upon the rack
Of pain anew to writhe;

Stretch'd in disease's shapes abhorr'd,
Or mown in battle by the sword,
Like grass beneath the scythe.

Even I am weary

in yon

skies

To watch thy fading fire;
Test of all sumless agonies,

Behold not me expire.

My lips that speak thy dirge of death—
Their rounded gasp and gurgling breath
To see thou shalt not boast.
The eclipse of nature spreads my pall,—
The majesty of darkness shall
Receive my parting ghost!

This spirit shall return to Him
Who gave its heavenly spark;
Yet think not, sun, it shall be dim,
When thou thyself art dark!
No! it shall live again and shine
In bliss unknown to beams of thine,
By Him recall'd to breath,
Who captive led captivity,
Who robb'd the grave of victory,-
And took the sting from death!

Go, sun, whilst mercy holds me up
On nature's awful waste,
To drink this last and bitter cup
Of grief that man shall taste-
Go, tell the night that hides thy face,
Thou saw'st the last of Adam's race
On earth's sepulchral clod,
The darkening universe defy
To quench his immortality,

Or shake his trust in God!

THE SWORD SONG.

THEODORE KÖRNER.

[Theodore Körner, the eminent German poet, was born at Dresden in 1791. After studying at Leipsic he became secretary to the Court Theatre of Vienna, and commenced as a dramatist. In 1812 he entered the Prussian army and signalized himself equally by his bravery and his martial songs. For his conduct at the battle at Lützen he was promoted, and afterwards, having been

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