English miscellany: a symposium of history, literature and the arts, Volume 3British Council, 1952 - Art |
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Page 25
But if that is so , it may also go some way towards explaining the real dichotomy
which so puzzles scholarship and help in answering the question how seemingly
irreconcilable trends of ideas could thrive side by side and find fertile soil even ...
But if that is so , it may also go some way towards explaining the real dichotomy
which so puzzles scholarship and help in answering the question how seemingly
irreconcilable trends of ideas could thrive side by side and find fertile soil even ...
Page 31
But the many themes playing Death's tune , or , should I say , Death's hornpipe ?
are so interlaced in the late fifteenth and early sixteenth centuries that it is not
surprising to find another of them knocking for admission into More's text . This
was ...
But the many themes playing Death's tune , or , should I say , Death's hornpipe ?
are so interlaced in the late fifteenth and early sixteenth centuries that it is not
surprising to find another of them knocking for admission into More's text . This
was ...
Page 49
Rising stairs join with bridges reaching into space but broken midway , leading
nowhere but to a fall . Piranesi's architectural dreams find response in our time ,
but the Romantics too were fascinated . Coleridge and de Quincey together came
...
Rising stairs join with bridges reaching into space but broken midway , leading
nowhere but to a fall . Piranesi's architectural dreams find response in our time ,
but the Romantics too were fascinated . Coleridge and de Quincey together came
...
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