ence. ed to have the sympathy of a large and refined audiAll the rest was done by the Mendelssohn Quintette Club, who played the first Allegro and Adagio from Beethoven's B-flat Quartet (op. 18) and Schubert's Quartet (posthumous) in D minor; and by Miss ADELAIDE PHILLIPPS, who sang, in ad mirable style, two capital selections. The first, how ever, "Lascia ch'io pianga," from Handel's Rinaldo, was better suited to her large, rich organ tones, than the song of the page: “Voi chi sapete," in Mozart's Figaro, which we associate with voices of a lighter calibre. The Handel piece had to be repeated. We must go back merely to record the matter-no room for the manner of several concerts which we had to pass over in our last. And first, Mr. J. C. D. PARKER'S Vocal Club of amateurs sang on two successive Monday evenings to an invited company the following choice programme: Part I. Salve Regina, by Hauptmann; Slumber Song from Schumann's "Paradise and Peri" (Soprano Solo, Miss LORING, and chorus); Songs, Mrs. HARWOOD; Part-Songs: "Good Night," Schumann, and "Hunting Song," Mendelssohn; Spring-Fantasie (piano solo and quartet), by Gade. Part II. The Walpurgis Night (Eve of the First of May), by Mendelssohn-the solos by the Messrs. WINCH. Mr. PERABO's Piano-forte Soirée of April 18 (his last concert for the season) offered: a Prelude and Fugue in D minor, by Mendelssohn; Schubert's great Sonata in B flat major (four movements); and the sixth Partita of Bach in E minor, (consisting of Toccata, Allemande, Courante, Air, Sarabande, Gavotte and Gigue);-all greatly relished, especially the last. Moreover the sweet singer of the German Opera, Mme. FRIEDERICI-HIMMER, sang "Deh vieni," from Figaro, Schumann's "Du meine Seele" and "Spring Night," and for an encore "The Wanderer," the last with remarkable power, and all with fine fervor, though some of the higher notes were almost too piercing for the small concert room. Both of the new "Conservatories" have had Chamber Concerts, for their pupils chiefly. The "Boston Conservatory," at Chickering's, April 13, gave: Beethoven's E-flat Trio, op. 70, played by Messrs. EICHBERG, LEONHARD and H. SUCK; a couple of Franz Songs and Schubert's "Erl-king," sung by Mr. KREISSMANN; Variations, from the 4th Beethoven Quartet (Messrs. EICHBERG, FORD, H. and A. SUCK); a Scherzo and Andante Spianato of Chopin (Mr. Leonhard); the Haydn Trio in G; and a harp piece by Miss MARIE HARTLEY. All, except the lady, are teachers in the institution. The more mixed programme of the first Soirée of the "New England" rival was this: Cabinet Organ and Piano, "Pensée Religieuse," Battman. Song, Air with Variations. Rhode. Piano, 1, Symphony, J. 8. Bach; 2, "On Wings of Song," (Transcribed by Mendels us, corresponding to those from German authors. Not that he should change the author's text, but that he should add in notes either in the margin or at the end of the chapters, that which would adapt the book specially to the use of American students. It should be strictly a text-book. The instructor should be a man of wide-reaching knowledge in the history of music, as well as a thorough contrapun-❘ tist; so that the text-book might be but the skeleton of the body of science, which his classes should be enabled by him to master. Of course the reading of common music at sight, some preliminary knowledge of harmony, and the simple rules of musical composition, should be required of the student before taking up the study of the system just as a certain degree of knowledge upon other topics is required before the pupil is admitted into college. It may be said that such a professor and such pupils are of "the things that are not." Perhaps so; but suppose such a professor should be sought.How long before the demand would create a supply? And as to pupils, in my time we could have given such a professor a very respectable class in old Harvard. I will leave you to reflect upon and carry out these ideas, and turn for a moment to Dr. Krüger's book. The best idea I can give you of it will be by a glance at the table of contents. A short philosophical introduction, then 9. Mozart-paralipomenon. 10. "Leonore" or "Fidelio." 11. Beethoven im Malkasten. 12. Beethoven and the new Edition of his works. Of these Articles the 4th, 6th, and 12th are of very great interest; the two upon Wagner's operas altogether the best that have been written. They judge those works in the lights afforded by a fully competent knowledge of German literature (to criticize the texts) and of musical science, combined with com mon sense, an article which in general has sadly failed when Wagner's compositions have been the subject of discussion. If "St. Paul" and Elijah" were not so well known with us, and had not already so often been the sub 1. Some remarks upon Art in general, and upon jects of excellent articles, I should count these by various Arts, and then, specially, Music. 2. Rhythm and Harmony,-what is Music. Jahn as also of uncommon interest. The volume is not large, only 337 pages; but it is 3. Natural tones. -Consonance.-Dissonance.-"full of meat." I recommend it heartily to those Vibrations, peculiar phenomena, &c., &c, and thus we reach 4. The Scale. Book II. Music as an Art. Here we have 1. Melody,-its genesis-analysis — RhythmMetre. Quantity.-Accent, &c., &c. 2. Musical Syntax-thirty pages of very rich and suggestive matter, but it will take too much space to continue to particularize. Sixty pages upon Harmony follow, and twentytwo upon Rhythm. Now comes the Doctrine of Forms :Variable forms,-as the Prelude, the Fantasia, Recitative, &c., &c. Determinate forms,-the Song form, Simple Song, Air, Rondo, Variation, &c., and Accompaniment. And so we come to Counterpoint, Imitations, Canon, Fugue, and sohn). Liszt. Song, "With Verdure Clad," Haydn. Piano, finally to the Motet, Cantata, Suite, Sonata, Sym "Lake Mahopac," Goldbeck. Duo for Harp and Piano. Six Preludes, J. S. Bach. with accomp. of second Piano by R. Goldbeck. Song, "L'Estasi," Arditi. Piano, "Eulogy of Tears," (Trans. Schubert), Liszt. Cabinet Organ, Piano and Violin, Brisson: Fantasie on the "Pardon de Ploermel." New Works on Music. LETTER FROM A. W. THAYER. Trieste, March, 1867. DEAR DWIGHT,—I wish to call your attention to two volumes which are probably still unknown in the United States, as they have but recently appeared from the press of Breitkopf & Härtel, in Leipzig. The first, of about 500 pages, 8vo., by Dr. EDWARD KRUEGER, is "System der Tonkunst." I have often thought of the necessity of some epitome of musical science, which would be a good basis for instruction in our colleges, when the divine science shall once find entrance there-and have made myself pretty| familiarly acquainted with the productions of the press in that direction, from the catchpenny little volume of Fétis, years ago, on to the present time. Now, at length, I think the right book has come, and I can only hope that it will soon find a competent translator. Such a translator is one who not only is fully able to give the German again in English, but one who has knowledge sufficient io give examples from English and other composers well known with phony, Oratorio, Opera, with analytical remarks upon some of Handel's Oratorios and Mozart's Operas. I need hardly speak of the abundant proofs of vast research which this work exhibits on every page, and of the clear logical progress of the author from simple tones to the grandeur of Handel's Israel in Egypt and the magnificence of Don Juan. That this is not an A, B, C book for beginners you have already seen; that it is "meat for men of full age"-not❝milk for babes"-is perhaps manifest. I shall be glad to hear hereafter the opinion of some of our cultivated German musicians upon it, for it is not to be doubted that a work like this will find some purchasers in the United States. The other volume is: "Gesammelte Aufsätze über Musik" (Collected Articles upon Music), by OTTO JAHN. Of course every body, whose studies lead to that kind of knowledge, knows who Jahn is:-Professor at Bonn; the great archaeologist and philologist; the author of the great Biography of Mozart; one of those men whose stores of learning fill us with wonder, and whose capacity for labor, with astonish ment. In addition to his philological studies in his youth and early manhood, he made a special study of music, both at Leipzig and in Berlin under Dehn, who read German and care for this branch of literature. A. W. T. NEW YORK. Parepa and Peralta-the musical chime of the two names will be worth something to Maretzek another season; but now his season's done. "Angela Peralta” (says the New York Musik-Zeitung) "is the name of a new prima donna who has appeared at the Academy of Music and brings the season to a close with a certain eclat. She comes from Mexico and Havana. Her voice, to be sure, is no longer young, but it has a certain Schmelz, to which one gladly yields himself. Moreover she sings She with taste, understanding and correctness. knows what she wants, and she never wants more than she can accomplish. She is a cultivated singer. We would gladly have availed ourselves of her earlier. With the exception of Parepa the lady singers of the Italian Opera have not been very attractive. Miss Kellogg, to be sure, is a clever artist; but there is a certain tiresome monotony in her performances. She has not made progress, and it would seem to be about time that she should appear before a foreign public; here she is such an enfant gate, that she must in the end lose all earnestness in Art. Sonnambula, the Puritani, and Lucia. She seems "Mme. Peralta has appeared three times in the fond of singing the Bellini operas; and as she does this with success, she earns at all events an honorable place among the singers of the day; for it presupposes far more artistic ability, to make Bellini's parts effective, than it does Verdi's." The PHILHARMONIC SOCIETY celebrated its 25th Anniversary last Saturday evening by a concert at Steinway Hall. The noble orchestra of ninety, under BERGMANN, is said to have done its best; especially in Beethoven's C-minor Symphony (a reminiscence of the Society's first concert 25 years ago), and in Liszt's "Les Preludes." Of the rest the Tribune says: The cantata of Frithjoff's Saga, a fine work by Max Bruch-the breath of the Norlands and the mystery of the Sagas running through its choral chapters-was sung at length by the Liederkranz, Mme. Rotter, Mr. Frederick Steins, and a tasteful tenor whose name does not appear on the bill, giving acceptable soli. The Liederkranz has never acquitted itself more ably, and it is seldom that choral performances are so deeply and delicately, and, at need, so vaguely and darkly shaded. The work must be heard many times before final judgment, and, of course, it is the intention of the Society to repeat it often. The programme still further included a Concerto for two pianos, by Mozart, delightfully played by Mr. William Mason and Mr. Emile Guyon, and Weber's beautiful and inspiriting Jubilee Overture. There was, beside, an almost irrelevant but respectable oration by the Rev. Franklin Johnson, sandwiched between Beethoven and Mozart, and suffering to the extent of the contrast. Mr. Harrison's "Grand Musical Festival" of a week, beginning June 3, is announced in full. Monday, the Messiah; Tuesday, Hymn of Praise, and a new Forty-sixth Psalm, written for the occasion by F. L. Ritter; Wednesday, Creation; Friday, Elijah. All the Oratorios to be conducted by Mr. Ritter. On Thursday, an Orchestral Concert: Beethoven's "celebrated" Eroica Symphony (Bergmann conductor), and Liszt's "Les Preludes" (Carl Rosa conductor). Saturday, Miscellaneous : Orchestra under Anschütz, Grafulla's Seventh Regiment Band, and Drum Corps (!!). There is a long list of solo-singers, including Mme. Rosa, Mme. Ritter, Messrs. Castle, Simpson, Thomas, Campbell, &c. For pianists: Miss Gilbert, Mr. Pattison, Pease and Colby; solo violinists: Wenzel Kopta and Rosa; organists: Morgan and Conolly. Chorus (Harmonic Society) of 300 voices; Orchestra of 90. BANGOR, ME. We are pleased to learn that: "A Choral Festival was held at Norombega Hall, commencing Tuesday, April 23d and continuing four days. The "Messiah" was given on Thursday evening, and Rossini's "Stabat Mater" closed the Festival on Friday evening. The soloists were Miss J. E. Houston, Mrs. J. S. Cary, Mr. James Whitney and M. W. Whitney of this city. The instrumental assistance was The Mendelssohn Quintette Club,with Mr. A. Stein, contra basso. The Chorus numbered two hundred voices. The Conductor was Mr. F. S. Davenport of Bangor. The chorus rehearsals were entirely devoted to Oratorio music, no Church music nor glee music being introduced. It was a great success and has done much for the cause of musical art in Maine." This lifting of the old-fashioned psalm-singing and psalm-book selling "Convention" into an Oratorio Festival was, we understand, purely the enterprise of Mr. Davenport, and initiates a movement in a right direction. It is high time that the great musical gatherings in the large towns should use their powers and opportunities in studying and bringing out real masterworks of Art, instead of longer taking their turn at the old machines for grinding out trashy psalm-tunes by the thousand every year. Voices they have, and zeal; and even with imperfect instrumental means they may do much to bring the oratorios of Handel, Haydn, Mendelssohn home to the people. NEW LONDON, CONN. Mr. Ralph Beecher Doane, organist of St. James Church, had a benefit concert on the 30th ult. at Lawrence Hall, which seems to have been a considerable event for that region. Two hundred persons went to it from Norwich on a special train. The Norwich Bulletin says: The great feature of the concert was Mr. Petersilea's playing. In the first part of the programme he performed Thalberg's variations on a favorite air from "Elisir d'Amour," and subsequently an elaborate and brilliant composition by Chopin. These selections afforded a fine opportunity for the display of the strength, firmness and delicacy which are so happily combined in his style. He plays with great ease of manner, and with little apparent effort, and with a reserve of force which is equal to any demand of the score. Mr. Suck, violinist, gave to the "Ballads and Polonaise" by Vieuxtemps-a beautiful composition -an enthusiastic and graceful rendering, being well sustained in the accompaniment by Mr. Petersilea. He afterwards played the popular "Sounds from Home," and received an encore. Miss Loring appeared in an aria from "Wm. Tell," and in "Spring Time," a song by Fesca. She has a pure soprano voice and rendered her selections in good style. Miss Addie S. Ryan sang a cavatina from "Tancredi," DESCRIPTIVE LIST OF THE LATEST MUSIC, Published by Oliver Ditson & Co. Vocal, with Piano Accompaniment. Thinking, ah! I'm fondly thinking. C. A. White. 30 A pleasing reminiscence of boyhood's years. music. Good Mr. Doane sustained, with the exception above mentioned, the thankless and often unappreciated duty of accompanist. He however performed a solo, and took the second part in a duo with Mr. Petersilea. The fact that the concert was undertaken for his benefit, and the intense enthusiasm with which he entered into and arranged all the preliminary details, enlisted the interest of the audience in his behalf. He certainly labored most ambitiously to gain the public approval and he deserved it. His solo was an Andante and a Presto movement from Mendelssohn. His touch is not as crisp and vigorous as that of Mr. Petersilea, neither has his style that character, and in playing upon the same stage with that gentleman he Love hailed a little maid. Ballad. W. Ganz. 40 exposed himself to a comparison which would not siasm and determination than himself. His touch is have been risked by anybody with less artistic enthumarked rather by delicacy and sprightliness than by Parted friends may meet again. Song. W. W. Gilchrist. 30 precision and energy, by tenderness and expression sion gained from the not altogether favorable test of Happy hearts are free. Concert song. K. Merz. 30 rather than brilliancy-at least that was the impreslast evening. He is an artist of great promise, and we hope he will give us another hearing. It will be a friendly one. We understand concerts are to be given by the same company in this city, Hartford, Saratoga, etc. A piquant rencontre, charmingly described. A decidedly pleasing song. A piece of excellent sentiment. A very powerful and brilliant song, and well calculated for a strong voice and energetic manner. Only moderately difficult. Whom but Maud should I meet. Song. Balfe. 50 Tennyson's words make music almost in them- Clear and Cool. (The Brook.) Song. Dolores. 50 Very pathetic and plaintive. W. H. Day. 40 Song and Chorus. Dr. Ordway. 30 Dr. Ordway's compositions have attained a great popularity, and this and his other recent songs may well circulate as freely as the others. Leaf by leaf the roses fall. Song. A. Vane. 40 Very beautiful in every way. Illustrated title. Golden smile of parting day. Song. M. Keller, 30 Heart broken child. 30 Well written. The last a temperance song. I'll forgive thee, "bye and bye." S'g. Musgrave. 30 Very well turned is the phrase, and nicely accompanied by the music. Meet me early. Ballad. Gugliemo. 30 Either early or late, he was pleased to see her. The Brook. (Wohin). "Maid of the Mill." "Our musical readers will learn with pleasure that the house of Messrs. Ewer will shortly publish some important works of Mendelssohn, which his executors have only just decided on allowing to appear. The first composition to be brought out will be the concert overture in C, known as the 'trumpet overture,' from the frequent recurrence of a characteristic passage for that instrument. This work was written in 1825, and was performed at the Dusseldorf musical festival in 1833, and two or three times by our Philharmonic Society, but was withheld from publication by Mendelssohn himself. The most important promise, however, is that of the production of Mendelssohn's great Reformation Symphony, in D minor, a work composed in 1830, in celebration of the German Reformation Festival. Mendelssohn wrote the Reformation Symphony during his stay in Rome, probably incited to the composition, as Mr. Benedict says in his memoir of the composer, 'by the sight of the mongustine monk, had been resident.' As the work was astery in which Martin Luther, whilst still an Authe result of the same period that produced the materials for his Italian symphony, as Mendelssohn has said to have been much pleased with it at the time, and as he frequently played a transcript of it on the piano-forte to admiring hearers, among whom were some of the most eminent musicians of the day, it is fair to assume that this symphony, so long withheld, will prove a rich addition to the already published works of its composer. Others of his posthumous works are also promised for publication, comprising an eighth book of Lieder ohne Worte,besides some detached songs and piano-forte studies. In the present comparative dearth of creative musical genius, the prospect of the appearance of such art treasures is most welcome and gratifying, and it is to be hoped that their publication will lead the way to that of Mabel Waltz. 4 hds. (Social hours.) others of the many works of their composer which still remain in manuscript." Schubert. 40 One of the songs included in Schubert's "Cyclus," wherein the pretty maid figures in almost every one of about 20 songs. Very taking. Instrumental. Carousal. Paraphrase of "We won't go home till morning." S. G. Pratt. 60 A clever piece, in which the jovial songs of the topers, the groans from the "dead men" uuder the table, and the subsequent head-aches, are skilfully rendered into music. Fine for learners. Fète Hongroise. S. Smith. 60 On Miss C. Laura Harris's appearance at the Ital- In Grobe's well-known and useful style, S. Smith. 75 PUBLISHED BY OLIVER DITSON & CO., 277 WASHINGTON STREET, BOSTON. A te o cara, (Love my dearest), “I Puritani.” 40 Chatelaine. Valse de Salon. Brilliant Four-Hand Pieces. E.Ketterer. 60 "Faust." Fantasia. Dreams of the Forest. Kruger. 40 Ascher. 30 Everest. 20 Lumbye. 75 Smith. 60 "Seven Beyer. 75 kas, Schottisches, Galopades, &c. Cramer.1.25 Annie Polka Redowa. Dances, Schultze. 30 Warren. 30 Labitzky. 50 Bay of Quinte Polka Mazurka. Chalaupka. 30 Carroll & Queen. 50 3. Offertoire Funebre. OP. 32. No. 1. Elevation. Krug. 40 How Sad all Nature. From the Operetta ieux. 15 Little Spring Song. Salon Studie. Hering. 30 Look! this is Joy. Transcribed from the Operetta of "Fanchette." Richards. 40 Love and Chivalry. Caprice eleganté en forme de Schottische. Love lighted Eyes. (Liebesblicke). Oesten. 40 Morning Dew. Mountain Stream. Kölling. 50 Smith. 70 Perle du Soir. Mazurka de Salon. Qui Vive! Grand Galop. Sicilian Vespers. 66 2. Communion. "3. Offertoire. OP. 33. No. 1. Offertoire. Ut Major. 50 Ione Galop. "Ione." Heroique. 75 Opera Box Mazurka. Seven Octaves." CO Ut Minor. 50 Polka Mazurka. "Faust." Grande Offertoire de Concert, as played by " "35 3. La Meditation. For Vox Humana. "35 Ketterer. 75 Six Morceaux. Composed expressly for the Trekell. 50 " 3. Penitence. Ganz. 75 "2. Reminiscence. Beyer. 35 Spanisches Standchen. (Spanish Melody). Starry Night. Serenade. Heller. 60 The Fountain., No. 1 of “Tone Pictures.” Who will care for mother now. tions. Wilt thou not love me. 35 Ketterer. 60 Buckley. 60 Knight. 30 O'Leary. 60 Birgfield. 35 "Faust." 30 True Love Polka Mazurka. New Marches & Quicksteps. 35 Sheridan's Grand March. (Portrait). Gung'l. 40 35 35 35 Violin Reynald. 30 Favorite Polkas & Waltzes. Varia Baumbach. 60 Arion Waltz. Arranged from the celebrated Operatic Gems. Barber of Seville. Fantasie brillante. Leybach.1.00 Il Balen. (Tempest of the Heart). Cricket Polka. or Flute & Liano Music. Funeral March, from Sonata op. 26. Beethoven. 35 Faust Waltz. (Colored Vignette). Grobe. 50 Kiss Waltz. "Il Bacio." (Easy). Gilbert. 30 Prize Banner Quickstep. Eichberg. 50 "" 30 30 30 30 Eichberg. 50 Winner. 30 66 30 Mozart. 35 Gung'l. 60 Turkish March. "Ruins of Athens." Beethoven. 35 Strauss. 60 Wedding March, Mendelssohn. 40 Mendelssohn. 40 CHARLES H. DITSON & CO. STANDARD OPERA LIBRETTOS. (Successors of Firth, Son & Co.) PUBLISHERS OF MUSIC AND DEALERS IN Ditson & Co's, Standard Opera Libretto, scom prise the following, each with English and Foreign Words and the Music of the Principal airs. They are printed from new Sheet Music, Music Books, Reed type, are neat and convenient in size, correct and reliable in Organs, Pianofortes, Melodeons, AND Every other Variety of Musical Instruments, and Merchandise. 711 BROADWAY, NEW YORK. C. H. D. & Co., are Special Agents of OLIVER DITSON & CO., BOSTON, and will supply the publications of that house to dealers and others at the lowest Boston prices. They are also agents for the sale of Burditt's Celebrated Cottage Organs, and have constantly in store a fine assortment of Pianos, Organs and Melodeons for rent at reasonable prices. The special attention of Dealers, Seminaries, Teachers, Musical Societies, Choirs, Amateur Clubs, and all persons interested in music, is respectfully solicited to the numerous advantages secured to them at this establishment. Complete Catalogues of Books and Sheet Music will be furnished on application. NEW MUSIC, JUST PUBLISHED BY text, and universally admitted to be the best copies that can be obtained, of these indispensables for every opera-goer. New Librettos are added from time to time, as they appear. Anna Bolena, Bohemian Girl, (La Zingara), Cinderella, (La Cenerentala). 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MASSES, HYMNS, MOTETTS, For the Offertory, Benediction, Elevation, and the Principal Festivals of the CATHOLIC CHURCH; Together with Responses Complete, from Authentic Sources, including Correct Gregorian Music for small Choirs, by J. H. WILLCOX, Mus, Doc. Organist of the Church of The Immaculate Conception, and L. H. SOUTHARD, Formerly Organist of the Church of Sts. Over Sixty Pieces of Music for One Dollar. Vespers. The whole selected and arranged for large or THE WESTERN MUSICAL WORLD.-A Monthly Journal of Music and Literature: each number containing a choice selection of new vocal and instrumental music, and a large amount of interesting musical reading, consisting of ORIGINAL TALES AND SKETCHES, MUSICAL STORIES, INSTRUCTIVE EDITORIALS, CORRESPONDENCE, News, GOSSIP AND INTELLIGENCE, from all parts of the world. It is printed on the best an elegant volume for binding at the close of each year. LOUIS MEYER, No. 1230 Chestnut Street, quality of white paper, from beautiful new type, and makes (Second door below Thirteenth). PHILADELPHIA. SONGS. Only One Dollar a Year. Specimen copies, containing several choice pieces of music sent on receipt of ten cents. No musical family who have a piano or organ in their home can afford to be without the Western Musical World. Address. 680-2 .Abt. 30 A charming lively Serenade, with an excellent chorus, sure to be one of the most popular Songs ever published. Mozart. 40 A lovely German Air, with Variations, decidedly one of the best pieces of that favorite Composer. Fairy's Musical Box.......... Welstone. 25 A charming imitation, very good teaching piece. Mazurka in G minor, Op. 67, No. 2. ......Chopin. 20 The most pleasing of Chopin's posthumous works, it will be a favorite with all lovers of good music; and forms No. 20 of the justly celebrated Golden Treasury. Cascade de Rubis... Smith. 75 Andante from Trio William Tell.. ....Prudent. 85 L'Esperance Mazurka de Salon. ....Green. 35 Canon, Op. 56........ ...Schumann. 40 ...Jullig. 20 .Henselt. 30 Howe. 85 Green. 35 ...each, 60 These Favorite Studies are published with great care and correctness. Duvernoy Ecole de Mecanism, Op. 120, Book 1, Concordia for Melodeon or Piano, Book 1, 2. 3, 4..each, 50 A carefully selected Collection of classical Sacred Music. Lily Polka, (for 4 Pianos, 8 hands)........Bollmann. 1.00 An excellent easy and brilliant piece for Schools and Exhibitions. 679 THE CHORUS WREATH. A Collection of Sacred and Secular Choruses from Oratorios, Operas, and Popular Glee and Chorus Books, designed as a Standard Book for Choirs, Musical Societies, Conventions and Schools, and containing the Most Desirable Pieces for Private practice and Public Performance. This new compilation will S. BRAINARD & SONS, Publishers, THE MUSIC BOOK FOR THE YOUNG FOLKS AT HOME Containing Elementary Instructions, Attractive Peter and Paul. In the present work, the Editors have endeavored to furnish a large number of pieces, attractive from their intrinsic beauty, free from all secular or other objectionable associations,and sufficiently easy to be within the grasp of the larger part of Parish choirs; music neither heavy and unmeaning, nor vul. gar and common-place, nor, worse than either, light and trivial, entirely unsuited for the sacred offices of the church. Many of the Motetts, Hymns, Antiphons, and other pieces, are so arranged that they require no tenor. A large portion of this work has been selected from the repertoires of the Churches of St. Roch, Paris; Notre Dame de Boe N ouvelle, Brussels, and the Cathedral of St. Stephen, Vienna. In 1 Vol. large quarto, bound in cloth. Price $2.50. on receipt of which copies will be mailed, post-paid. OLIVER DITSON & CO., Publishers, 277 Washington Street, Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. All the Musical Publications OF OLIVER DITSON & CO., BOSTON, MAY BE OBTAINED, AT WHOLESALE AND RETAIL OF Exercises, and Several Hundred Popular Songs; Chas. H. Ditson & Co., 711 Broadway, This New Book will be found Superior to All Similar Works, in many points essential to a popular Instruction Book in Vocal Music and Collection of Melodies for the Young. FORTY EDITIONS have already been published, and the demand continues unabated. Many of the Songs have been written expressly for the work, and none of the songs are old and time-worn--sung through a dozen books, but New and Sparkling. Adapted to all Occasions, and Alive with the Spirit of the Times. PRICE 50 cts. Sent postpaid. OLIVER DITSON & CO., Publishers, 277 Washington Street, Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. EVERY PIANO FORTE TEACHER SAYS That of the hundreds of Books of Instruction in Piano- forta Music published. Richardson's New Method, takes the lead and seems destined to keep it. Twenty-five thousand Copies of Richardson's Method are sold every year,---a sale which no similar book has ever reached. It is adapted alike to the youngest and to the oldest; to the beginner. for first lessons, and to the amateur, for general practice Sent postpaid. Price, $8.75. OLIVER DITSON & CO. Publishers, 277 Washington St., Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. For Thorough Instruction in Vocal Music. Use Bassini's Art of Singing: an Analytical and Practical System for the Cultivation of the Voice. This work is prepared on a rigidly scientific basis, and universally admitted to be the most desirable work for teachers and scholars. Price, for Soprano Voice, Complete, $400. Abridged, $3 00. For Tenor Voice. $4 00. Mailed post-paid. OLIVER DITSON & CO., Publishers, 277 Washington Street, Boston, CHAS. H. DITSON & CO., 711 Broadway, New York. PIANO FORTES, Reed Organs & Melodeons, FOR SALE AND TO LET, COMPRISING Prove highly acceptable to Choirs, Musical Societies and Con- Instruments by the Best Makers. ventions that require in a compact and convenient form, the very best vocal compositions for private practice or public performance. Aside from the fact of getting rid of the great inconvenience of being obliged to turn to a large number of volumes, the low price at which the best and most popular pieces of half a dozen or more costly books are here furnished, will recommend the Chorus Wreath to the musical public, as a valuable work within the reach of every one. Price $1.50. Sent post-paid. Oliver Ditson & Co., Publishers, 277 Washington Street, Boston. Chas. H. Ditson & Co., 711 Broadway, New York. AND OP Every Variety of Size and Style, New and Second-hand. At Moderate Price and on Easy Terms. OLIVER DITSON & CO., 277 Washington Street, Boston. This new work is a short and lucid statement of the Elementary Laws of Harmony, adapted to the wants of Singers and those who desire a moderate facility in playing Church Music, and extemporizing. The rules and examples are mostly condensed from the text books of the Leipzig Conservatorium and the National Academy of Music, London. In the first ten chapters sufficient instruction is given to enable the pupil to write correet and graceful plain harmony in four parts, Bound in Cloth. PRICE 67 cts. Sent by mail, postpaid. OLIVER DITSON & CO Publishers, 277 Washington Street, Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. Musical Instruction Without Teacher. WINNER'S PERFECT GUIDE for the Piano, Violin, Flute, Melodeon, Cabinet Organ, Guitar, Accordeon, Fife, Flageolet, and Clarionet, designed in its Lessons, Examples and Exercises to impart a Knowledge of playing without the aid of a teacher: with selections of choice Music. Price of each book 75 ets. Sent post-paid. OLIVER DITSON & CO., Publishers, 277 Washington St., Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. PIANOFORTE MUSIC, CHOICE! SPARKLING! BRILLIANT! Will be found in the New Collection entitled, "The Pianist's Album," just out. containing all the popular pieces that are invariably called for, and with which every player should be familiar. Adapted to the capacity of the majority of performers. Price, Plain. $2 50: Cloth, $3 00; full gilt, $4.00. Sent post-paid. OLIVER DITSON & CO., Publishers, 277 Washington Street, Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. JOHN S. SPOONER, PRINTER, HAWLEY, CORNER FRANKLIN ST. ENTRANCE ON HAWLEY ST. Advertisements. An Elegant Series of Music Books FOR THE PIANO-FORTE. The Home Circle, A Collection of Instrumental Music for the Piano. Marches, Waltzes. Polkas, Schottisches, Redowas, Quadrilles, Contra-Dances, Piano Gems and Four-Hand Pieces. 2 Volumes. The Pianist's Album, A new Collection of Instrumental Piano Music, forming the third volume of the "Home Circle," 1 vol. The Silver Chord, Songs, Ballads, Quartets, Duets, &c., Piano Accompaniment, 1 vol. Shower of Pearls, Vocal Duets for 2 Sopranos, Soprano and Alto. Soprano and Tenor, Soprano and Bass, and Tenor and Bass, Piano Acc.. 1 vol. Gems of German Bong, The choicest productions of German Composers, German and English Words, Piano Acc., 1 vol. Gems of Scottish Songs, A complete collection of the "rarest and fairest" Scotch Songs and Ballads, Piano Acc., 1 vol. Gems of Sacred Song, A choice collection of Sabbath Songs and Select Home Ballads, Piano Acc., 1 vol. Operatic Pearls, Comprising all the most popular Songs, Quartets, Duets, Trios, &c., from the principal Operas, 1 vol. The above are all of uniform size and style of binding. Price of each volume, Plain, $2,50; Cloth, $3,00; Cloth, full gilt, $4,00. Sold in separate volumes, or the set complete, by all Music Dealers, and sent post-paid by OLIVER DITSON & CO., Publishers, 277 Washington Street, Boston. CHAS. H. DITSON & CO., 711 Broadway, New York. THE WESTERN NORMAL ACADEMY OF MUSIC. Permanently established at the following points, viz: Akron, 0. Adrian, Mich. Aurora, Ill. Quintette Orchestra, A COLLECTION OF QUADRILLES, WALTZES, POLKAS, WAS, SHOTTISCHES, MAZOURKAS, TWO VIOLINS, CLARINET, CORNET, CONTENTS. Amoretten Polka Mazurka. Angelina Quadrille... Barbe Bleue Quadrille. Blanche Alpen... Bo-Peep Quadrille.. Brooklyn Galop. Charlie Polka. Fondest, Dearest, Now Good Night.. Guard's Waltz................... Polka...... My heart shall still hope on...... Redowa de Paris... Renz Galop... Rose of Castile Quadrille.. Schottische.. . . .. . . Sunset polka Redowa. Sur L'Ocean. Tiger Polka Redowa... Trompeters' Galop. Wander March. VOL. XXVII. No. 5. New Music for May. VOCAL. Somebody's heart. Song......... C. A. White. 40 " 30 Hark! the goat-bells are ringing. Duet... Smart. 50 Song..Balfe. 50 .Dolores. 50 W. H. Day. 40 The Brook. (Wohin). "Maid of the Mill." Schubert. 40 Elaine's song. "Sweet is true love." W. C. Hay. 40 INSTRUMENTAL. West end Polka. 3 performers.... ...D'Albert. 75 Rhine-wine Lancer's Quadrilles.. La Venus aux Carottes Quadrille Berceuse for Piano... Godfrey. 60 Paul Becker. 35 35 .N. Cawthorne. 60 " Les Huguenots. Grand Fantasie.... S. Smith. 1.00 ........Balfe. .......Redler. .Burgmuller. Daase. Brightest smile. Caprice,. Faust galop.. Barbe-bleue Quadrille.. Chime of bells.... Coronation waltz... IN FIVE BOOKS, (One for Each Instrument.) Price of the Set, complete, SIX DOLLARS. Mailed, post-paid on receipt of Price. OLIVER Howe's Drawing-Room Dances. Designed for Social Evening Parties. 4 has. Bellak. 35 Impromptu Etude. For Guitar..... C. J. Dorn. 25 Carousal. Paraphrase of "We won't go Thoughts of Home. Var... Keller's American Hymn. J. A. Doane. 80 . Leybach. 1.00 hours."..Bellak. 35 ..S. Smith. 60 Trans....by Grobe. 50 Le Jet d'Eau. (Drops of Water). BOOKS. S. Smith. 75 T. E. Garrett. 30 |