18. Purple velvet binding, mounted in silver. On the centre ovals are engraved the arms of James I., and on the cornerpieces and clasps the royal badges and initials. (Old Royal Library.)

James 1. 'A meditation upon the Lord's Prayer.' London, 1619.

19. Purple velvet binding, embroidered with gold and silver threads.

Bacon. 'Opera.' London, 1623.

20. White satin binding, embroidered with symbolical figures of Peace and Plenty.

'Booke of Psalmes.' London, 1635.

21. Blue velvet binding stamped in gold and silver. Some of the stamps appear to be those used by the Cambridge binder Thomas Buck, and also at Little Gidding.

'Notitia Dignitatum.' Lyons, 1608.

22. Crimson velvet binding mounted in silver. The centre plaques contain portraits of Charles I. and Queen Henrietta Maria.

'New Testament and Book of Common Prayer.' London, 1643.

23. Inlaid Cottage design binding. Black morocco inlaid with crimson and yellow.

Bible. London, 1658.

24. Binding in red morocco, with fillets stained black. Gold-tooled. Attributed to Samuel Mearne.

Neoportus. 'Sereniss. Princ. Carolo Secundo Mag. Brit. Fran. et Hib. Regi Votum Candidum.' Londini, 1669.

25. Coloured binding, the design pieced out with silver paint. Attributed to Samuel Mearne. Black morocco.

'Discourse of Parliaments.' 1677.

26. Coloured Cottage design binding. Attributed to Samuel Mearne.

morocco.

'Common Prayer.' London, 1678.

Red

27. Cottage design binding, probably by Charles Mearne. Blue morocco..

Bidpai. 'Fables.' London, 1699.

28. Cottage design binding. Red morocco. Ashmole. "History of the Order of the Garter.' London, 1715.

29. Binding by Eliot and Chapman, the binders to Robert Harley, Earl of Oxford. Red morocco.

Lens. The Granadiers Exercise.' London, 1735.

M

30. Painted armorial binding covered with transparent vellum. By James Edwards of Halifax. With the arms of Charlotte, Queen Consort of George III., with supporters.

31.

'Common Prayer.' Cambridge, 1760.

Etruscan binding attributed to John Whitaker. Calf, stained, stamped with acid, and gold-tooled.

Pegge. 'The Forme of Cury.' London, 1780.

32. Binding in red morocco, with a centre panel of black morocco. Gold-tooled.

'A Paraphrase upon St. Paul's Epistles.' London, 1702.

33. Armorial binding by Roger Payne, with the arms of the Rev. C. M. Cracherode. Red morocco. (Cracherode Library.)

Cicero. De oratore.' Rome, 1468.

34. Armorial binding by Roger Payne, with the arms of the Rev. C. M. Cracherode. Dark blue morocco.

Library.)

(Cracherode

Euripides. 'Omnia quæ extant.' Cantabrigiæ, 1694.

35. Armorial binding by Roger Payne, with the arms of the Rev. C. M. Cracherode. Olive morocco. (Cracherode Library.) Lascaris. 'Erotemata.' Venice, 1495.

36. Binding by Roger Payne, with the arms of the Rt. Hon. Thos. Grenville added. Olive morocco. (Grenville Library.)

Tasso. La Gerusalemme Liberata.' Genoa, 1590.

37. Armorial binding, with the arms of George III. Dark blue morocco, goldtooled. Bound by Charles Kalthoeber.

Biblia Latina. (The 'Mazarin Bible,' attributed to the press of Gutenberg, about 1455.)

38. Armorial binding, with the arms of the Rt. Hon. Thos. Grenville. Red morocco, gold and blind - tooled. Charles Lewis.

Lucian. Opera. Venetiis, 1503.

Bound by

Printed by T. and A. CONSTABLE, Printers to His Majesty
at the Edinburgh University Press

21 1916