A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of Language and Style : the Elements of Taste and Criticism : with Rules for the Study of Composition and Eloquence : Illustrated by Appropriate Examples Selected Chiefly from the British Classics : for the Use of Schools, Or Private Instruction
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action admit agreeable Analysis appear arises arrangement attention beauty called cause CHAPTER character circumstances common comparison composition connected considered consists Corol correct criticism denote discourse distinct distinguished effect emotion employed Example expression feeling figure force former frequently genius give greater Hence human ideas Illus illustration imagination importance impression instance introduced kind language latter least less light manner meaning metaphors mind nature necessary never objects observe orator ornament particular passion perhaps period person pleasure poet poetry possess prefer present principles produce proper qualities raise reader reason relation requires resemblance respect rise rule sense sentence sentiment similar sometimes sort sound speak species strength striking style sublime success supposed taste term things thou thought tion variety verb whole words writing
Page 205 - In thoughts from the visions of the night, when deep sleep falleth on men, Fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up: It stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice...
Page 165 - O thou that, with surpassing glory crown'd, Look'st from thy sole dominion, like the god Of this new world, at whose sight all the stars Hide their diminish'd heads, to thee I call, But with no friendly voice, and add thy name, 0 sun, to tell thee how I hate thy beams...
Page 168 - Thou preparedst room before it, and didst cause it to take deep root, and it filled the land. The hills were covered with the shadow of it, and the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, and her branches unto the river.
Page 132 - Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide: If to her share some female errors fall, Look on her face, and you'll forget them all.
Page 154 - The music of Carryl was, like the ." memory of joys that are past, pleasant and
Page 130 - With many a weary step, and many a groan, Up the high hill he heaves a huge round stone ; The huge round stone, resulting with a bound, Thunders impetuous down, and smokes along the ground.
Page 132 - Favours to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.
Page 289 - Where the great Sun begins his state Robed in flames and amber light, The clouds in thousand liveries dight; While the ploughman, near at hand, Whistles o'er the furrowed land, And the milkmaid singeth blithe, And the mower whets his scythe, And every shepherd tells his tale Under the hawthorn in the dale.
Page 289 - Till the dappled dawn doth rise; Then to come in spite of sorrow, And at my window bid good-morrow, Through the sweet-briar, or the vine, Or the twisted eglantine : While the cock with lively din Scatters the rear of darkness thin, And to the stack, or the barn-door, Stoutly struts his dames before...