Dwight's Journal of Music: A Paper of Art and Literature, Volumes 5-6Houghton, Mifflin, 1855 - Music |
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Page 2
... voice from Heaven to a chorus of soprano voices , and it has been urged that it might have been expressed by a powerful accompaniment of a wind instrument ; but surely these are futile criticisms , and must give way to the general ...
... voice from Heaven to a chorus of soprano voices , and it has been urged that it might have been expressed by a powerful accompaniment of a wind instrument ; but surely these are futile criticisms , and must give way to the general ...
Page 11
... voice alternately , are things which in the present epoch of crude , bawling vehemence and inflex- ibility seem like so many lost arts . Further , when his voice began to give way , Rubini man aged to produce his most exquisite effects ...
... voice alternately , are things which in the present epoch of crude , bawling vehemence and inflex- ibility seem like so many lost arts . Further , when his voice began to give way , Rubini man aged to produce his most exquisite effects ...
Page 17
... voice , and I need scarcely add that the recitatives , as specimens of musical declamation and dramatic power , are very grand and effective . The two songs of St. Paul : " Consume them all , Lord Sabaoth , " " " God be gracious to Me ...
... voice , and I need scarcely add that the recitatives , as specimens of musical declamation and dramatic power , are very grand and effective . The two songs of St. Paul : " Consume them all , Lord Sabaoth , " " " God be gracious to Me ...
Page 28
... voice and style of Mr. ARTHURSON . In truth , we know not when we have heard any chamber singing , by a male voice , more satisfactory in point of refined taste , feeling and expression . This was followed by a slow movement and finale ...
... voice and style of Mr. ARTHURSON . In truth , we know not when we have heard any chamber singing , by a male voice , more satisfactory in point of refined taste , feeling and expression . This was followed by a slow movement and finale ...
Page 30
... voice and style of Mr. ARTHURSON . In truth , we know not when we have heard any chamber singing , by a male voice , more satisfactory in point of refined taste , feeling and expression . This was followed by a slow movement and finale ...
... voice and style of Mr. ARTHURSON . In truth , we know not when we have heard any chamber singing , by a male voice , more satisfactory in point of refined taste , feeling and expression . This was followed by a slow movement and finale ...
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13 Tremont 21 School St 282 Washington ACTION PIANO American artists audience Bach bass beautiful Beethoven Boston CHICKERING Choral chords chorus church composer compositions concert Dwight's Journal English execution FORTES fugue G. P. REED genius German give instruction grand Grisi GUITARS Handel harmony Haydn hear heard Herr instrument Italian Jenny Lind JEWETT John Bunyan Journal of Music Jullien lady Liszt LOWELL MASON Melodeons melody Mendelssohn ment Messrs Miss Mlle Mozart music stores Musical World musicians NATHAN RICHARDSON Oliver Ditson opera oratorio orchestra organ organist overture performed pianist PIANO-FORTE pieces played programme published pupils Puritani quartet Residence ROSA GARCIA Rossini Sept Signor Sims Reeves singers singing Society solo Sonata song soprano style sung Symphony taste TEACHER OF MUSIC tenor theatre tion tone Tremont Row tune violin violoncello vocal voice Washington St Washington Street Winthrop House young