Character and Conflict: An Introduction to Drama |
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Page 4
... drama proposed in the critical discussions in this book can find the answer in the glossary . If the approach to drama offered here were shining new and the invention of one critic's mind , it would be highly suspect . But the critical ...
... drama proposed in the critical discussions in this book can find the answer in the glossary . If the approach to drama offered here were shining new and the invention of one critic's mind , it would be highly suspect . But the critical ...
Page 15
... drama began with miming , that is , the wordless acting out of ritual patterns . Many mod- ern men of the theater have used this theory to argue that the play is essentially , as well as originally , a visual art that makes its state ...
... drama began with miming , that is , the wordless acting out of ritual patterns . Many mod- ern men of the theater have used this theory to argue that the play is essentially , as well as originally , a visual art that makes its state ...
Page 24
... dramatic form . In a novel or lyric poem the author is free to tell us the true nature of a person , the springs of character can be laid open di- rectly . But in the more traditional realistic or semi - realistic drama there can be no ...
... dramatic form . In a novel or lyric poem the author is free to tell us the true nature of a person , the springs of character can be laid open di- rectly . But in the more traditional realistic or semi - realistic drama there can be no ...
Contents
Introduction | 1 |
CHARACTER IN DRAMA | 8 |
Character in Expressionistic Drama | 100 |
Copyright | |
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action ALCESTE begins BRACK bring CÉLIMÈNE CHAPLAIN character comes COOK course CREON dead dear death don't door drama ELVSTED Enter EVERYMAN express eyes face FALSTAFF father fear feel follow force give goes gone HAMLET hand HARRY hath head hear heart Heaven HEDDA hold HORATIO HOTSPUR human I'll It's keep kind King KITTY lady LAERTES leave live look LOPAHIN lord LÖVBORG LYUBOV matter mean mind MISS MOTHER COURAGE motive move nature never NICK night once play plot POLONIUS present PRINCE QUEEN question scene SOLDIER speak stage stand sure talk tell TESMAN thank thee There's thing thou thought true turn understand VARYA voice wait woman young