Page images
PDF
EPUB
[merged small][ocr errors][merged small][merged small]

Lecture on the Greek Myths of Storm, given (partly) in University College, London, March 9th, 1869.

1. I WILL not ask your pardon for endeavouring to interest you in the subject of Greek Mythology; but I must ask your permission to approach it in a temper differing from that in which it is frequently treated. We cannot justly interpret the religion of any people, unless we are prepared to admit that we ourselves, as well as they, are liable to error in matters of faith; and that the convictions of others, however singular, may in some points have been well founded, while our own, however reasonable, may in some particulars be mistaken. You must forgive me, therefore, for not always distinctively calling the creeds of the past "superstition," and the creeds of the present day "religion; " as well as for assuming that a faith now confessed may sometimes be superficial, and that a faith long forgotten may once have been sincere. It is the task of the Divine to condemn the errors of antiquity, and of the Philologist to account for them: I will only pray you to read, with patience, and human sympathy, the thoughts of men who lived without blame in a darkness they could not dispel; and to remember that, whatever charge of folly may justly attach to the saying,-"There is no God," the folly is

"Athena the Restrainer." The name is given to her as having helped Bellerophon to bridle Pegasus, the flying cloud.

St. George; or supposes that there were once alive in the world, with sharp teeth and claws, real, and very ugly, flying dragons. On the other hand, few persons traced any moral or symbolical meaning in the story, and the average Greek was as far from imagining any interpretation like that I have just given you, as an average Englishman is from seeing in St. George the Red Cross Knight of Spenser, or in the Dragon the Spirit of Infidelity. But, for all that, there was a certain undercurrent of consciousness in all minds, that the figures meant more than they at first showed; and, according to each man's own faculties of sentiment, he judged and read them; just as a Knight of the Garter reads more in the jewel on his collar than the George and Dragon of a public-house expresses to the host or to his customers. Thus, to the mean person the myth always meant little; to the noble person, much and the greater their familiarity with it, the more contemptible it became to the one, and the more sacred to the other until vulgar commentators explained it entirely away, while Virgil made it the crowning glory of his choral hymn to Hercules-

"Around thee, powerless to infect thy soul,
Rose, in his crested crowd, the Lerna worm."

"Non te rationis egentem

Lernæus turbâ capitum circumstetit anguis."

And although, in any special toil of the hero's life, the moral interpretation was rarely with definiteness attached to its event, yet in the whole course of the life, not only a symboli cal meaning, but the warrant for the existence of a real spiritual power, was apprehended of all men. Hercules was no dead hero, to be remembered only as a victor over monsters of the past-harmless now, as slain. He was the perpetual type and mirror of heroism, and its present and living aid against every ravenous form of human trial and pain.

5. But, if we seek to know more than this, and to ascertain the manner in which the story first crystallized into its shape, we shall find ourselves led back generally to one or other of two sources-either to actual historical events, represented by

[ocr errors]

And

the fancy under figures personifying them; or else to natural
phenomena similarly endowed with life by the imaginative
power, usually more or less under the influence of terror.
The historical myths we must leave the masters of history to
follow; they, and the events they record, being yet involved
in great, though attractive and penetrable, mystery. But the
stars, and hills, and storms are with us now, as they were
with others of old; and it only needs that we look at them
with the earnestness of those childish eyes to understand the
first words spoken of them by the children of men.
then, in all the most beautiful and enduring myths, we shall
find, not only a literal story of a real person,-not only a par-
allel imagery of moral principle, but an underlying worship
of natural phenomena, out of which both have sprung, and in
which both forever remain rooted. Thus, from the real sun,
rising and setting; from the real atmosphere, calm in its
dominion of unfading blue, and fierce in its descent of tem-
pest, the Greek forms first the idea of two entirely personal
and corporeal gods, whose limbs are clothed in divine flesh,
and whose brows are crowned with divine beauty; yet so real
that the quiver rattles at their shoulder, and the chariot bends
beneath their weight. And, on the other hand, collaterally
with these corporeal images, and never for one instant separ-
ated from them, he conceives also two omnipresent spiritual
influences, of which one illuminates, as the sun, with a con-
stant fire, whatever in humanity is skilful and wise; and the
other, like the living air, breathes the calm of heavenly forti-
tude, and strength of righteous anger, into every human
breast that is pure and brave.

6. Now, therefore, in nearly every myth of importance, and certainly in every one of those of which I shall speak to-night, you have to discern these three structural parts—the root and the two branches :-the root, in physical existence, sun, or sky, or cloud, or sea; then the personal incarnation of that; becoming a trusted and companionable deity, with whom you may walk hand in hand, as a child with its brother or its sister; and, lastly, the moral significance of the image, which is in all the great myths eternally and beneficently true.

1

prouder, deeper, and less pardonable, in saying, "There is no God but for me."

2. A Myth, in its simplest definition, is a story with a meaning attached to it, other than it seems to have at first; and the fact that it has such a meaning is generally marked by some of its circumstances being extraordinary, or, in the common use of the word, unnatural. Thus, if I tell you that Hercules killed a water-serpent in the lake of Lerna, and if I mean, and you understand, nothing more than that fact, the story, whether true or false, is not a myth. But if by telling you this, I mean that Hercules purified the stagnation of many streams from deadly miasmata, my story, however simple, is a true myth; only, as, if I left it in that simplicity, you would probably look for nothing beyond, it will be wise in me to surprise your attention by adding some singular circumstance; for instance, that the water-snake had several heads, which revived as fast as they were killed, and which poisoned even the foot that trode upon them as they slept. And in proportion to the fulness of intended meaning I shall probably multiply and refine upon these improbabilities; as, suppose, if, instead of desiring only to tell you that Hercules purified a marsh, I wished you to understand that he contended with the venom and vapour of envy and evil ambition, whether in other men's souls or in his own, and choked that malaria only by supreme toil,-I might tell you that this serpent was formed by the Goddess whose pride was in the triai of Hercules; and that its place of abode was by a palm-tree; and that for every head of it that was cut off, two rose up with renewed life; and that the hero found at last he could not kill the creature at all by cutting its heads off or crushing them; but only by burning them down; and that the midmost of them could not be killed even that way, but had to be buried alive. Only in proportion as I mean more, I shall certainly appear more absurd in my statement; and at last, when I get unendurably significant, all practical persons will agree that I was talking mere nonsense from the beginning, and never meant anything at all.

3. It is just possible, however, also, that the story-teller

may all along have meant nothing but what he said; and that, incredible as the events may appear, he himself literally believed and expected you also to believe-all this about Hercules, without any latent moral or history whatever. And it is very necessary, in reading traditions of this kind, to determine, first of all, whether you are listening to a simple person, who is relating what, at all events, he believes to be true (and may, therefore, possibly have been so to some extent), or to a reserved philosopher, who is veiling a theory of the universe under the grotesque of a fairy tale. It is, in general, more likely that the first supposition should be the right one:— simple and credulous persons are, perhaps fortunately, more common than philosophers: and it is of the highest importance that you should take their innocent testimony as it was meant, and not efface, under the graceful explanation which your cultivated ingenuity may suggest, either the evidence their story may contain (such as it is worth) of an extraordinary event having really taken place, or the unquestionable light which it will cast upon the character of the person by whom it was frankly believed. And to deal with Greek religion honestly, you must at once understand that this literal belief was, in the mind of the general people, as deeply rooted as ours in the legends of our own sacred book; and that a basis of unmiraculous event was as little suspected, and an explanatory symbolism as rarely traced, by them, as by us. You must, therefore, observe that I deeply degrade the position which such a myth as that just referred to occupied in the Greek mind, by comparing it (for fear of offending you) to our story of St. George and the Dragon. Still, the analogy is perfect in minor respects; and though it fails to give you any notion of the vitally religious earnestness of the Greek faith, it will exactly illustrate the manner in which faith laid hold of its objects.

4. This story of Hercules and the Hydra, then, was to the general Greek mind, in its best days, a tale about a real hero and a real monster. Not one in a thousand knew anything of the way in which the story had arisen, any more than the English peasant generally is aware of the plebeian origin of

« PreviousContinue »