Dramatic Works of John Ford ...J. Murray, 1827 - Dramatists, English |
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Page xiv
... that his days are already numbered , and that the inevitable hour is fast closing upon all his earthly prospects . Indifferent as is the execution of this piece , it is still far superior to its conception . Passages of xiv INTRODUCTION .
... that his days are already numbered , and that the inevitable hour is fast closing upon all his earthly prospects . Indifferent as is the execution of this piece , it is still far superior to its conception . Passages of xiv INTRODUCTION .
Page xv
John Ford William Gifford. is still far superior to its conception . Passages of considerable beauty , especially in the last two acts , frequently occur ; but there is nothing to redeem the absurdity of the plot . Instead of taking up ...
John Ford William Gifford. is still far superior to its conception . Passages of considerable beauty , especially in the last two acts , frequently occur ; but there is nothing to redeem the absurdity of the plot . Instead of taking up ...
Page xvi
... Presumes she may partake the other season . ' In the title - page it is called " A known true story . " All my acquaintance with it is derived from the following passages in Caulfield's popular collection of " xvi INTRODUCTION .
... Presumes she may partake the other season . ' In the title - page it is called " A known true story . " All my acquaintance with it is derived from the following passages in Caulfield's popular collection of " xvi INTRODUCTION .
Page xvii
John Ford William Gifford. from the following passages in Caulfield's popular collection of " the Lives and Portraits of Remark- able Persons , 1794. " Elizabeth Sawyer , exe- cuted in 1621 for witchcraft . ' 66 " The following title ...
John Ford William Gifford. from the following passages in Caulfield's popular collection of " the Lives and Portraits of Remark- able Persons , 1794. " Elizabeth Sawyer , exe- cuted in 1621 for witchcraft . ' 66 " The following title ...
Page xxvi
... passages which abound in the first three plays of this volume , without placing the author in a very honourable rank among the dramatic writers of his day . Ford occasionally repeats his characters . The Tecnicus of this drama is an ...
... passages which abound in the first three plays of this volume , without placing the author in a very honourable rank among the dramatic writers of his day . Ford occasionally repeats his characters . The Tecnicus of this drama is an ...
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Common terms and phrases
Amet AMETHUS Amyc AMYCLAS Annabella ARETUS Armostes Bass Bassanes beauty Bian Bianca blood brother Calantha Cleo Cleophila Colona court Crot D'Av D'Avolos dare doth Duke Enter Eroclea Euphranea Exeunt Exit eyes father fear Fern Fernando Fior FIORMONDA fool Friar Giacopo Giov Giovanni grace Gril hath heart heaven Here's honour hope Ilsington is't Ithocles JOHN FORD Jonson Kala kiss lady Lady's Trial live lord Love's Love's Sacrifice Lover's Melancholy madam marriage Maur Mauruccio means Melancholy Menaphon mistress NEARCHUS never noble old copy reads Orgilus PELIAS Penthea Perkin Warbeck pity poet Poggio pray prince Prophilus PUTANA Rhetias Roseilli SCENE sense sister Soranzo soul Sparta speak Sun's Darling sweet tell thee thine thou art thou hast thought truth Vasques vows Weber Witch of Edmonton word youth
Popular passages
Page 380 - of the French in horsemanship is noticed by most of our old writers. Thus, the King in Hamlet— " I have seen myself, and serv'd against the French, And they can well on horseback ; but this gallant Had witchcraft in't, he grew unto his seat.' &c. And in the White Devil—
Page 145 - On my knees, [He kneels. Sister, even by my mother's dust I charge you, Do not betray me to your mirth or hate; Love me, or kill me, sister. Ann. You mean good sooth, then ? Giov. In good troth, I do; And so do you, I hope: say, I'm in earnest. Ann. I'll swear it, I.
Page 228 - May we kiss one another, prate or laugh, Or do as we do here ? Ann. I know not that; But—brother, for the present, what d'ye mean" To free yourself from danger ? some way think How to escape.; I'm sure the guests are come. Gio. Look up, look here; what see you in my face
Page 142 - Giov. If you would see a beauty more exact Than art can counterfeit, or nature frame, Look in your glass, and there behold your own. Ann. O, you are a trim youth! Giov. Here! [Offers his dagger to her. Ann. What to do ? Giov. And here's my breast; strike home! Rip up my bosom, there thou
Page clxxxvi - UNTO this altar, rich with thy own spice, I bring one grain to thy LOVE'S SACRIFICE; And boast to see thy flames ascending, while Perfumes enrich our air from thy sweet pile. Look here, thou, that hast malice to the stage, And impudence enough for the whole age; Voluminously ignorant
Page 236 - Oh I bleed fast. Death, thou'rt a guest long look'd for, I embrace Thee and thy wounds; oh, my last minute comes! Where'er I go, let me enjoy this grace, Freely to view my Annabella's face. [Dies. Don. Strange miracle of justice! Car. Raise up the city, we shall be
Page 223 - the very mountains of Liguria : for your pardons, trust to my lord; but for reward, you shall trust none but your own pockets. Banditti. We'll make a murder. Sor. Here's gold,—[Gives them money]—here's more; want nothing; what you do Is noble, and an act of brave revenge : I'll make you rich, banditti, and all free.
Page 368 - First voice. Crowns may flourish and decay, Beauties shine, but fade away. Second. Youth may revel, yet it must Lie down in a bed of dust. * This fine dirge has sustained some injury from the press.
Page 228 - do indeed ; these are the funeral tears Shed on your grave; these furrow'd up my cheeks When first I lov'd and knew not how to woo. Fair Annabella, should 1 here repeat The story of my life, we might lose time.
Page 193 - Flo. Tis bootless now to shew yourself a child, ," Signior Donado, what is done, is done ', -\ ' • ' , Spend not the time in tears, but seek for justice. '-' \ *> Rich. I must confess, somewhat I was in fault, .''' That had not first acquainted you what love Past 'twixt him and my niece; but, as I live,