SPALDING'S ENTHUSIASM FOR THE GREAT MEN AND FOR ART. XV

castic-almost intolerant, in denouncing their selection. Why abandon the great literature--the great sciences and the great arts-which the noblest and strongest intellects in all ages have combined to enrich and bring to perfection? Master all that has been done in these, in the first place, and then you may be permitted to take your devious course. In all the departments of study he seemed to pass over the intermediate agencies, to contemplate with something like worship the great leading spirits whose intellectual stature raised them far above the mob. So in literature, it was in Homer and Shakspeare that he delighted. In the sciences connected with the analysis and the uses of intellect, he looked to Aristotle, Hume, and Kant. In the exact sciences, to Galileo, Tycho Brache and Newton, and so on. In art, he could admit the merits of a Teniers, an Ostade, or a Morland, in accurately rendering nature, as he would admit the merit of an ingenious toy. He could not but wonder at the turbulent power of Rubens, but he was bitter on the purpose these gifts were put to, in developing unsightly masses of flesh, and motions and attitudes wanting alike in beauty and dignity. It was in Michel Angelo, Raphael, and Thorwaldsen, with a select group from those approaching near to these in their characteristic qualities, that the young student selected the gods of his idolatry.

This love of art was something new in Spalding's native district. There all forms of learning were revered, and many a striving rustic devoted the whole energies of his life to acquire the means of teaching his fellowmen from the pulpit or the printing press. But art was nought among them. Spalding was thoroughly attached to his native district, and could well have said, "I love my fathers' northern land, where the dark pine trees grow; " but when his thoughts ran on art, he would sometimes bitterly call the north of Scotland a modern Boeotia. This is not the place for inquiring how it came to pass, that neglect of art could keep company with an ardent love of letters, but it is remarkable that the district so destitute of the æsthetic, gave to the world some considerable artists. In the old days there was George Jameson; and in Spalding's own generation, Boeotia produced Dyce, Giles, Philips, and Cassy as painters, with Brodie as a sculptor. Spalding could not but see merit in these, for none of them gave themselves to vulgar or purely popular art. Still he panted after the higher altitudes, and it appeared to him at one time that in his friend David Scot he had found the practical master of his ideal field. Scot had, to be sure, grand conceptions, but he did not possess the gift that enabled the great masters to abstract them from the clay of the common world. He had the defect—and his friend seeing it, felt it b

SPALDING.

xvi

SPALDING'S SATIRE ON "THE FIRE-BALLOON."

almost as a personal calamity-of lapsing into the ungainly, and even the grotesque, in his most aspiring efforts.

In approaching the time when the book to which this notice is prefixed was published, one is tempted to offer a word or two of explanation on its writer not appearing before the world earlier; and when he did appear choosing so unobtrusive a fashion for his entry. About the time when his college education ended, there was something like a revival of literary ambition in Aberdeen, limited to young men who were Spalding's contemporaries. A few of them appealed for the loudest blasts of the trumpet of fame, in grand efforts in heroic and satirical poetry, and their works may be found in the libraries of collectors curious in specimens of forgotten provincial literature. These authors were generally clever young men ; and like others of their kind, they found in after life that verse was not the only path to fame or fortune. One of them became a distinguished pulpit orator. If Paley noticed, as an "only defect" in a brother clergyman, that he was a popular preacher, Spalding was apt to take a harsher view of such a failing; nor would he palliate it on the representation of one who was the friend and admirer of both, who pleaded the trials that a person so gifted is subjected to, noting that there were certain eminences that the human head could not reach without becoming dizzy-as, for instance, being Emperor of Russia, Ambassador at an oriental court, Provost of a Scotch "Burgh toon "- or a popular preacher. Another contemporary who courted and obtained popularity, and still, to the joy of his friends, lives to enjoy it, was less distasteful to Spalding, though trespassing on his own field of ambition as a Greek scholar and Homeric critic. But he made the distinction, that in this instance he thought the homage to popularity was natural to the man, moving in irresistible impulses unregulated by a system for bringing popularity in aid of success.

The lookers-on, knowing that Spalding was ambitious, expected to hear him in the tuneful choir, but he was dumb. He was once or twice, by those nearest to him, heard in song, and literally heard only, for it is believed that he never allowed any manuscript testimony of such a weakness to leave his custody. One satirical performance got popularity by being committed to memory. It was called "The fire-balloon." In the year 1828 there was an arousing of public sympathy with the sufferers by a great conflagration at Merimachi in North America. A body of the students who had imbibed from the Professor of Natural Philosophy an enthusiasm about aerostation, proposed to raise money for the sufferers by making and exhibiting a huge fire balloon. The effort was embarrassed by many difficulties and adventures affording opportunity for the satirist.

THE ABERDEEN MAGAZINE.

SPALDING AND ROBERTSON.

xvii For instance, a trial trip was attempted, and one of "the committee," who was the son of a clergyman, got hold of the key of his father's church, and put its interior at the disposal of his colleagues. The balloon inflated and ascended. The problem of getting it down again, however, had not been solved. It got itself comfortably at rest in the roof of a cupola, and the young philosophers then had to wait until it became exhausted enough to descend.

The literary ambition of young Aberdeen found for itself a very sedate and respectable looking organ in "The Aberdeen Magazine," published monthly during the years 1831 and 1832, and still visible in two thick octavo volumes. Spalding was not to be tempted into this project, though there was a slight touch in it supposed, solely from internal evidence, to have come from him. A heavy controversy was begun by one calling himself" a classical reformer," who brought up foemen worthy of his steel. At the end of the whole was a sting in a postscript, more effective than anything in the unwieldy body it was attached to. "P. S. As I am no great scholar, perhaps your classical Reformer will have the goodness to tell me where I can see The Works of Socrates. He seems to allude to them twice [reference to pages]. As he modestly tells us that he is a much better translator of Homer than Pope was, perhaps he will be kind enough to favour the world with a translation, to use his own words, of "those works which have immortalized the name of Socrates." 1

The papers in the Aberdeen Magazine were not all of the sombre cumbrous kind. There was an infusion of fresh young blood, fired perhaps by the influence of Wilson and Lockhart in Blackwood's Magazine, but seeking original forms of its own. For the leader of this school, Spalding had both esteem and admiration, but it was for far other merits than those of the brisk unrestrained writer of fugitive literature. This was Joseph Robertson, afterwards distinguished as an archæologist. He survived Spalding eight years. No lines of study could well be in more opposite directions than those of the two men who respected each other. While Spalding revelled in all that was brightest and best in literature and art, Robertson devoted himself to the development of our knowledge about the period when the higher arts-those of the painter and the sculptor-had been buried with the higher literature, and the classic languages had degenerated, in the hands of those who, as Du Cange, whose ample pages were often turned by Robertson, called them, were "Scriptores mediæ et infimæ Latinitatis." The source of Spalding's admiration was that Robertson's writing was perfect of its kind, and led 1 Aberdeen Magazine, II., 350.

xviii SPALDING'S LETTER ON THE 2 N. K. HIS TRAVELS ABROAD.

to important and conclusive results. It was in this spirit that he wrote his own "Letter." It did not fulfil a high aspiration, but it must be perfect; and it was surely a moment of supreme happiness to him, when he found the unknown author sought for and praised by so cautious and reserved a critic as Hallam.

The "Letter" was published in 1833. It is characteristic of its author's distaste of loud applause, that whenever this, his first achievement in letters, saw the light, he fled, as it were, from the knowledge of what was said of it, and wandered for several months in Italy and Germany. This was an era in his life, for it gave him the opportunity of seeing face to face, and profoundly studying, the great works of art that had hitherto only been imaged in his dreams from copies and engravings. He at the same time studied-or rather enjoyed-nature. In his native north he had been accustomed to ramble among the Grampians at the head of the Dee, where the precipices are from 1500 to 2000 feet high, and snow lies all the year round. In these rambles he encountered hardships such as one would hardly have thought within the capacity of his delicate frame. He took the same method of enjoyable travelling in the Apennines-that of the Pedestrian.

He gave to the world a slight morsel descriptive of his experiences and enjoyments, in the Blackwood's Magazine of November, 1835. They were told in so fine a spirit, so free both from ungraceful levity and solemn pedantry, that the reader only regretted that they were too sparingly imparted. He thus announced his own enjoyment in his pilgrimage: "Among the ruined palaces and temples of Rome, and in the vineyards and orange-groves beside the blue sea of Naples, I had warmed my imagination with that inspiration which, once breathed upon the heart, never again grows cold. It did not desert me now as I entered this upper valley of the Apennines to seek a new colour and form of Italian landscape. Happy and elevating recollections thronged in upon me, and blended with the clear sunshine which slept on the green undulating hills." This fragment is the only morsel of autobiographic information left by its author, and therefore perhaps the following, taken from among many expressions of a genial spirit enjoying itself in freedom, may not be unacceptable. He has crossed the high-lying, bare plain of Rosetto, and reaches the village of Val san Giovanni, where "shelter was heartily welcome, the sun was set, snow-flakes were beginning to whirl in the air, and before we reached the village, a sharp snowstorm had set in." Here he is taking comfort to himself before a huge wood fire, when " a man entered of superior dress and appearance to the

SPALDING ABROAD.

HIS ITALY, AND HIST. OF ENGL. LIT. x.x rest, and behind him bustled up a little wretch in the government indirect-tax livery, who, never saying by your leave, pushed a chair to the fire for his master. The gentleman popped down, and turning to me, ‘I am the Podestà,' said he. I made my bow to the chief magistrate of the place. I am the Potestà,' said he again, and our little squinting spy repeated reproachfully, His excellency is the Podestà.'

"I was resolved not to understand what they would be at, and the dignitary explained it to me with a copious use of circumlocution. He said he had no salary from the government-this did not concern me ;that he had it in charge to apprehend all vagabonds; this he seemed to think might concern me. He asked for my passport, which was exhibited and found right; and the Podestà proved the finest fellow possible. These villagers then became curious to know what object I had in travelling about among their mountains. My reader will by this time believe me when I say that the question puzzled me. My Atanasio felt that it touched his honour to be suspected of guiding a traveller who could not tell what he travelled for. He took on him the task of reply. Premising that I was a foreigner, and perhaps did not know how to express myself, he explained that I was one of those meritorious individuals who travel about discovering all the countries and the unknown mountains, and putting all down on paper; and these individuals always ask likewise why there are no mendicant friars in the country, and which the peasants eat oftenest, mutton or macaroni? He added, with his characteristic determined solemnity, that he had known several such inquisitive travellers. This clear definition gave universal satisfaction."

I

Soon after Spalding's return to Scotland, the late George Boyd, the sagacious chief of the Firm of Oliver and Boyd, thought he might serve him in a considerable literary project. It was the age of small books published in groups-of "Constable's Miscellany," "Lardner's Cyclopedia," "Murray's Family Library," and the like. With these Mr Boyd thought he would compete, in the shape of the "Edinburgh Cabinet Library," and Spalding was prevailed on to write for it three volumes, with the title," Italy and the Italian Islands." The bulk of the contributions to such collections are mere compilations. But Scott, Southey, Macintosh, and Moore had enlivened them with gifts from a higher literature, and Spalding's contribution was well fitted to match with the best of these, though he had to content himself in the ranks of the compilers, until the discerning found a higher place for his book.

The same acute observer who had set him to this task found another

1 Blackwood's Mag., Nov. 1835, p. 669.