Shakespeare: Text, Subtext, and ContextRonald L. Dotterer Seventeen critics are represented in this collection of essays designed to illustrate the vitality and range of traditional and new approaches to Shakespeare studies. |
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Page 166
... parallel is of little use for its subject matter , though stylistically it resembles the other two as a rhe- torically balanced succession of paradoxes based upon analytical distinc- tions , and there are a number of other parallels ...
... parallel is of little use for its subject matter , though stylistically it resembles the other two as a rhe- torically balanced succession of paradoxes based upon analytical distinc- tions , and there are a number of other parallels ...
Page 170
... parallels for forsake ourselves . If there were later parallels for the required surface sense of ropes , and if parallels could be found for the scare / scar pun and the scar / vulva innuendo , and if the sexual allusions could be ...
... parallels for forsake ourselves . If there were later parallels for the required surface sense of ropes , and if parallels could be found for the scare / scar pun and the scar / vulva innuendo , and if the sexual allusions could be ...
Page 183
... parallel ( " What a flame had your negligency put me into " ) . Likewise , under the sense " a burning feeling or passion " ( 6a ) , there are no parallels for the absolute sense until 1702 ; until then , flame is always qualified to ...
... parallel ( " What a flame had your negligency put me into " ) . Likewise , under the sense " a burning feeling or passion " ( 6a ) , there are no parallels for the absolute sense until 1702 ; until then , flame is always qualified to ...
Contents
Foreword | 9 |
Subtext in Shakespeare | 31 |
The Recovery of the Elizabethan and Jacobean Playhouses | 56 |
Copyright | |
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action actors All's audience's Bertram Bott Celia central audience century character Cinthio conjecture context Coriolanus Cressida critics crux death Desdemona Diana Diomedes downstage dramatic dramatist Duke Senior e'en Elizabethan stage Elizabethan theater emendation Emilia English essay Falstaff father feel forsake Freud Globe Globe playhouse Gloucester Greek Hamlet headless bear Henry Henry VI Henry's homeopathy Hotspur husband Iago iapes Ibid interpretation John Julius Caesar King Lear king's Lady language literature London lord Lucilius Macbeth Malvolio marriage misread modern hero murder option Orlando Othello parallels patriarchy play's playhouse playwright poet Richard Romantics rope's Rosalind says scarre scene sense sexual Shake Shakespeare Shakespeare's plays side audiences speak speare speare's speech Sprigg Stratford Studies subtext suggests surance Susquehanna University theatrical Thersites thing thou thought Timon of Athens tion Toby toyes tragedy tragic hero Troilus Twelfth Night University Press vowes wife William William Shakespeare woman women words