Shakespeare: Text, Subtext, and ContextRonald L. Dotterer Seventeen critics are represented in this collection of essays designed to illustrate the vitality and range of traditional and new approaches to Shakespeare studies. |
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Page 31
... produce effective , honest representation . In the chapter on " Adapta- tion , " Tortsov says to his students : Do you suppose that words can exhaust all the nicest shadings of the emotion you experience ? No ! When we are communing ...
... produce effective , honest representation . In the chapter on " Adapta- tion , " Tortsov says to his students : Do you suppose that words can exhaust all the nicest shadings of the emotion you experience ? No ! When we are communing ...
Page 172
... produce a noun with any combination of the other letters . In Sir Thomas More on at least one occasion f might be misread as p , and at least one misprint in a Shakespearean foul paper text seems to derive from such confusion.22 I have ...
... produce a noun with any combination of the other letters . In Sir Thomas More on at least one occasion f might be misread as p , and at least one misprint in a Shakespearean foul paper text seems to derive from such confusion.22 I have ...
Page 220
... produce . Or let us take lago . Iago has every considerable fault and is totally inexplicable except to actors , who know that he can act Othello off the stage . Iago presented Professor Bradley with enormous problems . Was he possessed ...
... produce . Or let us take lago . Iago has every considerable fault and is totally inexplicable except to actors , who know that he can act Othello off the stage . Iago presented Professor Bradley with enormous problems . Was he possessed ...
Contents
Foreword | 9 |
Subtext in Shakespeare | 31 |
The Recovery of the Elizabethan and Jacobean Playhouses | 56 |
Copyright | |
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action actors All's audience's Bertram Bott Celia central audience century character Cinthio conjecture context Coriolanus Cressida critics crux death Desdemona Diana Diomedes downstage dramatic dramatist Duke Senior e'en Elizabethan stage Elizabethan theater emendation Emilia English essay Falstaff father feel forsake Freud Globe Globe playhouse Gloucester Greek Hamlet headless bear Henry Henry VI Henry's homeopathy Hotspur husband Iago iapes Ibid interpretation John Julius Caesar King Lear king's Lady language literature London lord Lucilius Macbeth Malvolio marriage misread modern hero murder option Orlando Othello parallels patriarchy play's playhouse playwright poet Richard Romantics rope's Rosalind says scarre scene sense sexual Shake Shakespeare Shakespeare's plays side audiences speak speare speare's speech Sprigg Stratford Studies subtext suggests surance Susquehanna University theatrical Thersites thing thou thought Timon of Athens tion Toby toyes tragedy tragic hero Troilus Twelfth Night University Press vowes wife William William Shakespeare woman women words