Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject matter, that one is forced to reevaluate, reconsider, and restructure one's understanding and one's perspectives on theatre, discourse, and history. Such a book is Anthony Kubiak's Stages of Terror." -- Theatre Studies ..". quite compelling. It is rich and complete while leaving plenty of room for further development... " -- Text and Performance Quarterly Using Aristotle's Poetics as its point of departure, Anthony Kubiak traces the forms or "stages" of terror as a cultural and performative principle through English Renaissance and Restoration plays, through the modern and postmodern, to contemporary terrorist "theatres." |
From inside the book
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Page 29
... already saw that the complicities of theatre with politics are deeply inscribed in each : " Dionysus had already been scared from the tragic stage by a demonic power speaking through Euripides . " But " even Euripides was , in a sense ...
... already saw that the complicities of theatre with politics are deeply inscribed in each : " Dionysus had already been scared from the tragic stage by a demonic power speaking through Euripides . " But " even Euripides was , in a sense ...
Page 89
... already seduced , and Harriet , whom he hasn't ? What " unattainable desire " could Dorimant be pursuing through his witty attacks on Loveit when he seems to have already exploited her as the object of his desire ? The answer is , in ...
... already seduced , and Harriet , whom he hasn't ? What " unattainable desire " could Dorimant be pursuing through his witty attacks on Loveit when he seems to have already exploited her as the object of his desire ? The answer is , in ...
Page 168
... already presented , the text must not , of course , be confused with " reality " : the Real in the play , for instance , must be read as the Real in relation to the play as it is performed , whatever that may be . Needless to say ...
... already presented , the text must not , of course , be confused with " reality " : the Real in the play , for instance , must be read as the Real in relation to the play as it is performed , whatever that may be . Needless to say ...
Contents
Trial and Terror | 26 |
Trope to Tragedy | 48 |
Gesturing through the Flames | 72 |
Copyright | |
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Other editions - View all
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Common terms and phrases
alienation Anthony Wilden Anti-Oedipus Antonin Artaud appearance articulates béance becomes Belvidera body Brecht Chicago Chris Burden concealed consciousness crime culture dagger death Deimic Deimos Deleuze Derrida desire disappearance discourse displacement Dorimant drama economic emerges Euripides eventually example exchange exists finally force forclusion Foucault fragmentation Genet Guattari Herbert Blau Hesiod ideology illusion Imaginary imagination Jaffeir katharsis Lacan language locus Madness and Civilization Manfred Medea mediated mind mise en scène modern murder myth mythic object objectified ontologic Othello pain perception performance Phobic Phobos play political postmodern problematic production Prometheus psychic Quaeritis Quem Quaeritis real violence reality Renaissance representation represents Restoration romantic romanticism seemingly seems Seneca sense silence social space spectacle specular STAGES OF TERROR Strindberg sublime suggest Symbolic terror terrorist theatre history Theatre of Cruelty theatre's theatrical theory thou thought threat tion torture tragedy tragic Trans truth tyranny Vito Acconci words writes York