Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject matter, that one is forced to reevaluate, reconsider, and restructure one's understanding and one's perspectives on theatre, discourse, and history. Such a book is Anthony Kubiak's Stages of Terror." -- Theatre Studies ..". quite compelling. It is rich and complete while leaving plenty of room for further development... " -- Text and Performance Quarterly Using Aristotle's Poetics as its point of departure, Anthony Kubiak traces the forms or "stages" of terror as a cultural and performative principle through English Renaissance and Restoration plays, through the modern and postmodern, to contemporary terrorist "theatres." |
From inside the book
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Page 50
... concealed but fully operative theatrical ontology of " specular desire . " The Mass was in this sense the celebration of specular violence secreted by theatre . The interval between theatre and its violence is always a virtual space ...
... concealed but fully operative theatrical ontology of " specular desire . " The Mass was in this sense the celebration of specular violence secreted by theatre . The interval between theatre and its violence is always a virtual space ...
Page 159
... concealed ) as the focal point of terrorizing discourses and disciplines . Though certain kinds of the- ory may be violent as theory , to equate theory with shrapnel in the belly is to forget the real pain of the bodies upon which the ...
... concealed ) as the focal point of terrorizing discourses and disciplines . Though certain kinds of the- ory may be violent as theory , to equate theory with shrapnel in the belly is to forget the real pain of the bodies upon which the ...
Page 160
... concealed because it exists as theatre , as representation , even when it is real . This is theatre's purpose , to seemingly conceal its vio- lence as " mere " representation , while referring its effects elsewhere , into cul- ture ...
... concealed because it exists as theatre , as representation , even when it is real . This is theatre's purpose , to seemingly conceal its vio- lence as " mere " representation , while referring its effects elsewhere , into cul- ture ...
Contents
Trial and Terror | 26 |
Trope to Tragedy | 48 |
Gesturing through the Flames | 72 |
Copyright | |
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Other editions - View all
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Common terms and phrases
alienation Anthony Wilden Anti-Oedipus Antonin Artaud appearance articulates béance becomes Belvidera body Brecht Chicago Chris Burden concealed consciousness crime culture dagger death Deimic Deimos Deleuze Derrida desire disappearance discourse displacement Dorimant drama economic emerges Euripides eventually example exchange exists finally force forclusion Foucault fragmentation Genet Guattari Herbert Blau Hesiod ideology illusion Imaginary imagination Jaffeir katharsis Lacan language locus Madness and Civilization Manfred Medea mediated mind mise en scène modern murder myth mythic object objectified ontologic Othello pain perception performance Phobic Phobos play political postmodern problematic production Prometheus psychic Quaeritis Quem Quaeritis real violence reality Renaissance representation represents Restoration romantic romanticism seemingly seems Seneca sense silence social space spectacle specular STAGES OF TERROR Strindberg sublime suggest Symbolic terror terrorist theatre history Theatre of Cruelty theatre's theatrical theory thou thought threat tion torture tragedy tragic Trans truth tyranny Vito Acconci words writes York