Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject matter, that one is forced to reevaluate, reconsider, and restructure one's understanding and one's perspectives on theatre, discourse, and history. Such a book is Anthony Kubiak's Stages of Terror." -- Theatre Studies ..". quite compelling. It is rich and complete while leaving plenty of room for further development... " -- Text and Performance Quarterly Using Aristotle's Poetics as its point of departure, Anthony Kubiak traces the forms or "stages" of terror as a cultural and performative principle through English Renaissance and Restoration plays, through the modern and postmodern, to contemporary terrorist "theatres." |
From inside the book
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Page 99
... imagination was , finally , a product of neoclassical discipline . As Kenneth Burke writes : Although the cult of the " imagination " is usually urged today by those who champion poetry as a field opposed to science , our investigations ...
... imagination was , finally , a product of neoclassical discipline . As Kenneth Burke writes : Although the cult of the " imagination " is usually urged today by those who champion poetry as a field opposed to science , our investigations ...
Page 113
... imagination of pain . Elaine Scarry constructs an ontology of pain in the body along similar lines . Scarry sees the interdependence of pain and imagination in these terms : The only state that is as anomalous as pain is the imagination ...
... imagination of pain . Elaine Scarry constructs an ontology of pain in the body along similar lines . Scarry sees the interdependence of pain and imagination in these terms : The only state that is as anomalous as pain is the imagination ...
Page 183
... imagination as a process or power capable in its own right of transforming the spiritual or material world ; the imagination was a faculty that was prone to misprision and that usually wanted correction , either by faith or by reason ...
... imagination as a process or power capable in its own right of transforming the spiritual or material world ; the imagination was a faculty that was prone to misprision and that usually wanted correction , either by faith or by reason ...
Contents
Trial and Terror | 26 |
Trope to Tragedy | 48 |
Gesturing through the Flames | 72 |
Copyright | |
5 other sections not shown
Other editions - View all
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Common terms and phrases
alienation Anthony Wilden Anti-Oedipus Antonin Artaud appearance articulates béance becomes Belvidera body Brecht Chicago Chris Burden concealed consciousness crime culture dagger death Deimic Deimos Deleuze Derrida desire disappearance discourse displacement Dorimant drama economic emerges Euripides eventually example exchange exists finally force forclusion Foucault fragmentation Genet Guattari Herbert Blau Hesiod ideology illusion Imaginary imagination Jaffeir katharsis Lacan language locus Madness and Civilization Manfred Medea mediated mind mise en scène modern murder myth mythic object objectified ontologic Othello pain perception performance Phobic Phobos play political postmodern problematic production Prometheus psychic Quaeritis Quem Quaeritis real violence reality Renaissance representation represents Restoration romantic romanticism seemingly seems Seneca sense silence social space spectacle specular STAGES OF TERROR Strindberg sublime suggest Symbolic terror terrorist theatre history Theatre of Cruelty theatre's theatrical theory thou thought threat tion torture tragedy tragic Trans truth tyranny Vito Acconci words writes York