Music of the SirensLinda Austern, Inna Naroditskaya Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography. |
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... Africa Henry John Drewal with Charles Gore and Michelle Kisliuk / 294 11. The Navel, the Corporate, the Contradictory: Pop Sirens at the Twenty-first Century Thomasin LaMay and Robin Armstrong / 317 12. The Cocktail Siren in David ...
... Africa Henry John Drewal with Charles Gore and Michelle Kisliuk / 294 11. The Navel, the Corporate, the Contradictory: Pop Sirens at the Twenty-first Century Thomasin LaMay and Robin Armstrong / 317 12. The Cocktail Siren in David ...
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... African music with various non-African styles of melody, rhythm, instrumentation, and performance. The sirinu of the Bolivian Andes are in some ways reminiscent to their Iberian counterparts but have clearly indigenous ancestry; the ...
... African music with various non-African styles of melody, rhythm, instrumentation, and performance. The sirinu of the Bolivian Andes are in some ways reminiscent to their Iberian counterparts but have clearly indigenous ancestry; the ...
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... Africa, Bolivia, and Turkey before ending with American film. Our sirens come from contrasting oral and written traditions from many languages and expressive media, but they are all capable of enchantment. NOTES 1. For particularly good ...
... Africa, Bolivia, and Turkey before ending with American film. Our sirens come from contrasting oral and written traditions from many languages and expressive media, but they are all capable of enchantment. NOTES 1. For particularly good ...
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... African lotos [i.e., aulos] or the panpipes or lyres,'' but meter requires that either the lyres or the panpipes be eliminated; preferably the former, since Helen's lament is called ''lyreless'' at l.1.1851. 185, and the plural is ...
... African lotos [i.e., aulos] or the panpipes or lyres,'' but meter requires that either the lyres or the panpipes be eliminated; preferably the former, since Helen's lament is called ''lyreless'' at l.1.1851. 185, and the plural is ...
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Contents
Siren Traditions and Musical Creation in the CentralSouthern Andes | |
Heavenly and Earthly Sirens in Sixteenth and SeventeenthCentury Literary and Visual Culture | |
5 The Sirens the Epicurean Boat and the Poetry of Praise | |
Of Music Modernity and the Sirens | |
Water Power and Women | |
Loreley and Other Rhine Maidens | |
Music for Mami Wata and Other Water Spirits in Africa | |
Pop Sirens at the Twentyfirst Century | |
12 The Cocktail Siren in David Lynchs Blue Velvet | |
Bibliography | |
List of Contributors | |
Index | |
Back Cover | |
The Legend of a Greek Singer in a Turkish Tavern | |
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Common terms and phrases
African album Andean artists associated beautiful Benin City Blue Velvet body Cambridge Carey century Charango Christian classical context corporate siren creatures culture dance Dargomyzhsky’s David Lynch death di√erent diegetic Dorothy Dorothy’s e√ect early modern ears emblem emblem books embodied enchantment English European fantasy female feminine femme fatale fig figure film final finds first fish flowing flute gender Greek Hanım hear heroine Homer instruments Je√rey Kalankira Kniaz legend listen Little Mermaid London Loreley male Mami Wata Mami Wata/mami wata Mariah Mariah Carey melodies Mermaid meyhane Michel Chion Muses musicians myth o√ers Odysseus opera Oxford performance Physiologus poem poet poetry popular Pushkin reflects Renaissance rock Rusalka Russian scene seductive sexual significance singer singing Sirènes sirinus soul sound specific sweet symbol tion tradition trans Turkish Twain Ulysses University Press visual vocal voice Wagner wave music wayñu woman women York